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Rashied Ali Quintet - First TIme Out / Live At Slug'sThe musical legacy of Rashied Ali receives a powerful rejuvenation with the publication of a previously unissued set by Alis group, recorded live at Slugs in 1967. This obscure appearance may have been only the second time that Ali had led a band in public. Band membership is stellar and unprecedented, and the tunes they play predate all known segments of Rashieds career as a composer or bandleader. Drummer Rashied Ali (19332009) was still officially
The musical legacy of Rashied Ali receives a powerful rejuvenation with the publication of a previously unissued set by Ali’s group, recorded live at Slugs in 1967. This obscure appearance may have been only the second time that Ali had led a band in public. Band membership is stellar and unprecedented, and the tunes they play predate all known segments of Rashied’s career as a composer or bandleader.
Drummer Rashied Ali (1933–2009) was still officially on the job as John Coltrane’s drummer when he assembled this band for perhaps as little as two sets of music in the Spring of 1967. It’s about the first documentable activity for the late tenor saxophonist Ramon Morris, who had thoroughly absorbed the lessons of John Coltrane, post 1961. Trumpeter Dewey Johnson (who, like Morris, died months before this release) had his peak moment of fame two years prior, appearing with Coltrane on the orchestral Free Jazz masterpiece Ascension. Pianist Stanley Cowell was just emerging as a distinctive voice among the open-minded ‘Young Lions’ of the day, on his way from Marion Brown’s quartet to groups led by Max Roach. Bassist Reggie Johnson was already familiar with Slugs; he had worked there, alongside Ali and Cowell, across the previous two years.
Little or no announcement heralded this gig; It may well be that only the neighborhood regulars and Ali’s associates (might Trane himself have been there?) would have known about it. But the players came to burn: They crackled and glowed in long treatments of Rashied’s loosely-structured pieces. Ali has more to say here as a soloist than in the several years of his recording career prior, and all of the musicians show a side different from how they appeared on records.
This stereo recording gives us a front row seat—with all the grit and mayhem from those heady times. Meticulous remastering from the original tapes has polished this bit of East Village verité into a riveting, glistening-but-raw pearl from the black underground of the Sixties.
Drummer Rashied Ali (1933–2009) was still officially on the job as John Coltrane’s drummer when he assembled this band for perhaps as little as two sets of music in the Spring of 1967. It’s about the first documentable activity for the late tenor saxophonist Ramon Morris, who had thoroughly absorbed the lessons of John Coltrane, post 1961. Trumpeter Dewey Johnson (who, like Morris, died months before this release) had his peak moment of fame two years prior, appearing with Coltrane on the orchestral Free Jazz masterpiece Ascension. Pianist Stanley Cowell was just emerging as a distinctive voice among the open-minded ‘Young Lions’ of the day, on his way from Marion Brown’s quartet to groups led by Max Roach. Bassist Reggie Johnson was already familiar with Slugs; he had worked there, alongside Ali and Cowell, across the previous two years.
Little or no announcement heralded this gig; It may well be that only the neighborhood regulars and Ali’s associates (might Trane himself have been there?) would have known about it. But the players came to burn: They crackled and glowed in long treatments of Rashied’s loosely-structured pieces. Ali has more to say here as a soloist than in the several years of his recording career prior, and all of the musicians show a side different from how they appeared on records.
This stereo recording gives us a front row seat—with all the grit and mayhem from those heady times. Meticulous remastering from the original tapes has polished this bit of East Village verité into a riveting, glistening-but-raw pearl from the black underground of the Sixties.
released January 10, 2020
Rashied Ali Quintet
Dewey Johnson (Trumpet)
Ramon Morris (Tenor Saxophone)
Stanley Cowell (Piano)
Reggie Johnson (Bass)
Rashied Ali (Drums)
Rashied Ali Quintet
Dewey Johnson (Trumpet)
Ramon Morris (Tenor Saxophone)
Stanley Cowell (Piano)
Reggie Johnson (Bass)
Rashied Ali (Drums)
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4.9 ★★★★★
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★★★★★ 4
Great Value! Great Printer
THE ONLY reason I can't give it a five is because it is the only printer I have ever seen with two trays that you have to print one or the other. Aside from that, BEST Scanner App EVER! Easy!! Hardly ever jams and then only when I put too many in, rushing to finish. The quality is fantastic!
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Reviewed in the United States on June 11, 2026
★★★★★ 5
Quick and easy set up
Quick set up! Easy to pair with cable signal -worked great. Scan/fax/copy.
Will see about ink refills when needed.
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Reviewed in the United States on May 3, 2026
★★★★★ 1
Hands down, the WORST printer I have ever owned. In THIRTY years.
I love Epson print quality so when my Epson finally bit the dust I HAD TO have another Epson. After lots of research I bought this one.
It takes FOREVER to wake up and print. It shouldn’t take 5 minutes to wake up.
I am a VERY light user. At the time of this initial review I'd maybe printed 500 pages total, so it's not like this thing has been put through the ringer or anything.
This thing CONSTANTLY jams. Or says it’s jammed. It may or may not be. But you’ll have to go through the motions every time you want to use it anyhow.
It burns through ink faster than a cracked out toddler dumping paint all over the floors and walls.
WHEN ONE COLOR RUNS OUT YOU CAN NO LONGER PRINT B&W
I’m sure there are more reasons why I hate this printer, I’ll try to come back to add them if I think of them.
THIS PRINTER HAS INSPIRED ME TO DISASSEMBLE MY OLD EPSON AND BECOME A PRINTER REPAIR TECH IN MY FREE TIME IN HOPES OF GETTING THAT ONE TO WORK. I don’t recommend that route either.
I think Epson has lost me forever.
All I want is a printer with their great print quality, two paper trays that accept different sizes, and a rear loader for heavier paper, that doesn’t cost an arm and a leg. My old WorkForce did all of that beautifully and for whatever reasons they decided that shouldn’t be an option anymore. RUDE.
UPDATE: This pile of junk will ALSO say that it is out of paper when in fact it is not. I hate it, so so so much.
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Reviewed in the United States on September 2, 2022
★★★★★ 3
Ink
Buyer beware
It works great, but I’ve had it 4 days and already out of black ink and it’s 93 dollars to replace 🙃
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Reviewed in the United States on June 11, 2026
★★★★★ 5
Worth every penney
Love it.. better than I expected
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Reviewed in the United States on May 18, 2026