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Description
Legion TWSWC-60MV Steam KettlesLegion TWSWC 60 Direct Steam Tilting Wall Mount Kettle with MV Mixer 60 gal Full jacketed 304 SS Made in USA Combine rapid direct steam heating, hands free mixing and effortless tiltingall while keeping valuable floor space clear. The Legion TWSWC 60 anchors to your kitchen wall, so you can batch cook 60 gallons of soups, sauces, fillings and more with unmatched speed, consistency and safety. Key Performance Advantages 60 gal (227 L) capacity for high
Legion TWSWC-60 Direct Steam Tilting Wall-Mount Kettle with MV Mixer
60 gal | Full-jacketed 304 SS | Made in USACombine rapid direct-steam heating, hands-free mixing and effortless tilting—all while keeping valuable floor space clear. The Legion TWSWC-60 anchors to your kitchen wall, so you can batch-cook 60 gallons of soups, sauces, fillings and more with unmatched speed, consistency and safety.
Key Performance Advantages
- 60 gal (227 L) capacity for high-volume production.
- Seamless deep-drawn 304 SS kettle liner—sanitary, durable and easy to clean.
- 304L full jacket rated 30 psi delivers fast, even heat transfer.
- Self-locking worm-gear tilt mechanism ensures smooth, controlled pouring.
- Wall-console mounting with stainless reinforced support boxes maximizes floor space and simplifies wash-down.
- Rear-facing steam inlet/outlet keeps service connections out of the cook line.
- Factory-installed MV twin-shaft mixer:
- Balanced aluminum bridge with actuator-assisted lift.
- Two-speed, totally enclosed gear motor (High 2 HP / Low 1 HP).
- 304 SS anchor agitator plus counter-rotating beater for complete product movement.
- Removable nylon scraper blades sweep the entire kettle surface.
- Bayonet-mount shafts for fast tool-free removal and cleaning.
- Safety interlock prevents high-speed starts when agitator is raised.
- Built to ASME & NSF standards—quality you can trust.
At-a-Glance Specifications
| Model | TWSWC-60 (with MV Mixer) |
|---|---|
| Capacity | 60 gal / 227 L |
| Operating Pressure | 30 psi (207 kPa) |
| Interior Liner | Seamless 304 stainless steel |
| Jacket Material | 304L stainless steel, full jacket |
| Tilt Mechanism | Self-locking worm gear |
| Mounting | Wall-console with rear plumbing connections |
| Overall Height (A) | 32.5 in (826 mm) |
| Overall Width (B) | 22.3 in (566 mm) |
| Overall Depth (C) | 38.5 in (978 mm) |
| Minimum Pour Path (X) | 32.5 in (826 mm) |
| Steam Inlet / Outlet | ¾" NPT / ½" NPT |
| Mixer Motor | 2 HP (High) / 1 HP (Low), 2-speed |
| Mixer Speeds | Main agitator 46 & 23 rpm; secondary beater 120 & 60 rpm |
| Certifications | ASME, NSF |
| Warranty | 12 months parts & labor |
| Country of Origin | USA |
Popular Factory Options & Accessories
- Single or dual fill faucets with 12" or 18" swing nozzles.
- 48" flexible spray-hose rinse assembly (vinyl or stainless).
- 2" or 3" draw-off valves (compression or ball-type).
- Automatic water-filling meter for precise batching.
- Tri-basket or single-basket inserts for pasta & vegetables.
- Lockable lid & reinforced bar rim for correctional facilities.
Looking for a different capacity, voltage or custom mixer ratio? Reach out—Legion can build a system around your exact menu.
Important: Steam, condensate and electrical connections must be installed by qualified professionals in accordance with local codes. Product images may show optional accessories.
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4.4 ★★★★★
Based on 19 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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