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Description
Cooler Master Hyper TX3 EVO Universal Socket 92mm PWM 2800RPM Black Fan CPU CoolerFeatures 3 direct contact heat pipes with a base that is engineered to minimize CPU contact gaps providing excellent heat conduction. Option for adding 2nd fan with quick snap fan brackets to increase cooling performance. A mere 17 dBA (minimum speed) is accomplished by utilizing a silent 92mm PWM fan with a wide RPM range. Versatile all in one mounting solution supporting the latest Intel LGA 1366 1156 1155 1151 775 and AMD AM4 AM3+ AM3 AM2 FM2+ FM2
Features- 3 direct contact heat pipes with a base that is engineered to minimize CPU contact gaps � providing excellent heat conduction.
- Option for adding 2nd fan with quick-snap fan brackets to increase cooling performance.
- A mere 17 dBA (minimum speed) is accomplished by utilizing a silent 92mm PWM fan with a wide RPM range.
- Versatile all-in-one mounting solution supporting the latest Intel LGA 1366/1156/1155/1151/775 and AMD AM4/AM3+/AM3/AM2/FM2+/FM2/FM1.
- Excellent airflow design with compact heat sink dimension.
Hyper TX3 EVO
The Hyper TX series has evolved along with the requirements of mainstream CPUs. The launch of Hyper TX3 EVO marks another milestone with Cooler Master�s Improved Direct Contact technology, further improving cooling performance.
3 Direct Contact Heat Pipes
Aluminum fins with 3 direct contact heat pipes provide excellent heat dissipation.
Dual Fan Design
Increase cooling performance by adding an optional second 92mm fan.
92mm PWM Fan with Quick-snap Fan Bracket Design
New 92mm PWM fan with anti-vibration rubber pads and a quick-snap cover for easy fan installation.
Compact Dimensions
Excellent airflow design with compact heat sink dimension.
All-in-one Mounting Solution
Compatible with Intel Socket LGA 1366/1156/1155/1151/775 and AMD Socket AM4/AM3+/AM3/AM2+/AM2/FM2+/FM2/FM1.
Model
Hyper TX3 EVO
RR-TX3E-22PK-R1
CPU Socket Compatibility
Intel: LGA 1366 / 1156 / 1155 / 1151 / 1150 / 775 socket
AMD: AM4 / AM3+ / AM3 / AM2+ / AM2 / FM2+ / FM2 / FM1 socket
Heat Sink Dimensions
90 x 51 x 136 mm
Heat Sink Material
3 Direct Contact Heat Pipes / Aluminum Fins
Heat Sink Weight
306g
Heat Pipes Dimensions
6mm
Fan Dimension
92 x 92 x 25 mm
Fan Weight
73g
Fan Speed
800 - 2,800 RPM (PWM) � 10%
Fan Airflow
15.7 - 54.8 CFM � 10%
Fan Air Pressure
0.35 - 4.27mm H2O � 10%
Fan Life Expectancy
40,000 hours
Fan Noise Level
17 - 35 dBA
Bearing Type
Long Life Sleeve Bearing
Connector
4-Pin
Fan Rated Voltage
12 VDC
Fan Rated Current
0.24A
Power Consumption
2.88W
Dimension
90 x 79 x 136 mm
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4.2 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001