SKU: 20210099415

Picture History of World War II American Aircraft Production

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Description

Picture History of World War II American Aircraft ProductionOne of the greatest industrial feats of World War II indeed of all time was the massive production of military aircraft by American manufacturers. America's sudden entry into the war required its typically small aircraft "job shops" to convert quickly to assembly line techniques to meet the urgent demand for fighters and bombers. In many ways, Allied victory depended on the success of this conversion. How Americans heroically met the challenge is the

One of the greatest industrial feats of World War II -- indeed of all time -- was the massive production of military aircraft by American manufacturers. America's sudden entry into the war required its typically small aircraft "job shops" to convert quickly to assembly-line techniques to meet the urgent demand for fighters and bombers. In many ways, Allied victory depended on the success of this conversion. How Americans heroically met the challenge is the focus of this fascinating pictorial history.
Over 250 rare photographs -- most never published before -- comprise an eye-filling chronicle of men and women hard at work in a crucial wartime industry: hooking up an engine, hanging a propeller, riveting the "skin" on a fuselage and performing many other tasks. Also included are authentic, on-the-spot photographs of aircraft assembly lines in full swing, of teams of workers turning out Boeing B-17 bombers in Seattle, huge B-24D "Liberators" at the Ford plant in Willow Run, Michigan, and F6F Grumman "Hellcat" fighters in Bethpage, Long Island, New York.
In his informative Introduction and captions, the author outlines the history of this massive effort, explains production processes and describes aircraft construction, assembly and armament. Throughout, he emphasizes important but often overlooked aspects of the story: how this struggle produced the first (and only) true mass production of military aircraft in history; introduced large numbers of women and minorities into the skilled work force; and inspired one of the greatest periods of high morale and camaraderie among workers ever seen.
Aviation enthusiasts, World War II veterans and students of American history and sociology will find this a truly fascinating chapter in the American experience, superbly presented and carefully documented. Joshua Stoff is Air and Space Curator, Cradle of Aviation Museum, Mitchel Field, Long Island, New York.

Binding Type: Paperback
Publisher: Dover Publications
Published: 12/13/1993
ISBN: 9780486276182
Pages: 160
Weight: 1.32lbs
Size: 11.70h x 8.87w x 0.46d
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SKU: 20210099415

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Toor
Waukegan, US
★★★★★ 5
Sublimation paper
Style: 100ct
The paper was just what we needed. Prints are lovely.
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Reviewed in the United States on March 26, 2025
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Claudia Acosta Pons
Chelsea, US
★★★★★ 5
Excelente calidad de papel
Style: 100ct
Muy buen papel para sublimar, transfiere los colores vivos y nítidos. No se corre la tinta y seca rápido. Ideal para tazas, camisetas y otros proyectos. Lo recomiendo totalmente.
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Reviewed in the United States on November 5, 2025
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JMF
Lake Worth, US
★★★★★ 5
Worth the expense
Style: 100ct
This paper is absolutely excellent for optimal print quality. I used it for ceramic mugs and it is easy to see why it costs more. The transfer quality is fantastic
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Reviewed in the United States on May 30, 2024
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Yumileisi
Bozeman, US
★★★★★ 5
Mi mejor tienda,
Style: 100ct
Muy buenas las olas y experiencia en entrega , gracias
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Reviewed in the United States on June 9, 2025
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Minnie I.
Charlottesville, US
★★★★★ 4
This is the ONLY paper that works well with SP-1
Style: 100ct
This is the only paper that works well with the Brother SP-1 sublimation printer. The instructions on using the paper are a little weird, but as long as the cut corner remains in the lower right of the printer tray, you'll be okay. I can't say that there's a lot of consistency in printing with this paper. Sometimes photos I've printed for items look really great, other times the photos are quite muted. This is a CMYK printer, which means you won't see the vibrant colors you see on your computer monitor. Often a red-boost in saturation in PS will help with some of that problem. The other issue is there's no real color management profile defined if you're printing directly from Adobe Photoshop and/or Illustrator. Even if you use matching CMYK colors in your artwork, don't expect those colors to work in sublimation. For simple artwork, with few color gradations, this seems to work pretty well. So, if you have an SP-1, this is the only paper you should use.
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Reviewed in the United States on April 11, 2024

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