SKU: 38509003250

Body-Solid Pro ClubLine Double SPR1000 Power Racks with Monkey Bars

Sale price$1500.75 Regular price$1667.50
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Description

Body-Solid Pro ClubLine Double SPR1000 Power Racks with Monkey BarsDouble the Racks. Double the Training Capacity. The Body Solid Pro ClubLine Double SPR1000 Power Rack system pairs two commercial grade SPR1000 power racks with a connecting monkey bar bridge, creating a multi user training station for commercial gyms, group training, and athletic facilities. Each rack features a 3" x 3" 11 gauge steel mainframe with a 1,000 lb weight capacity and 1 inch hole spacing in the bench zone for precise safety bar

Double the Racks. Double the Training Capacity.

The Body-Solid Pro ClubLine Double SPR1000 Power Rack system pairs two commercial-grade SPR1000 power racks with a connecting monkey bar bridge, creating a multi-user training station for commercial gyms, group training, and athletic facilities. Each rack features a 3" x 3" 11-gauge steel mainframe with a 1,000 lb weight capacity and 1-inch hole spacing in the bench zone for precise safety bar positioning.

Key Features

Dual 1,000 lb Capacity Racks
Two full SPR1000 power racks, each rated for 1,000 lbs, provide simultaneous training stations for multiple athletes or class participants.
Monkey Bar Bridge
Overhead monkey bar attachment connects the two racks, adding pull-up variations, hanging exercises, and traversal movements to your programming.
1-Inch Bench Zone Spacing
5/8" holes on 1-inch centers in the bench zone ensure you always find the exact safety bar height for your lift.
89-Inch Rack Height
Tall enough for standing overhead presses, chin-ups, and other exercises that shorter racks compromise.

Description

The Double SPR1000 system is designed for commercial facilities that need to maximize training capacity in a structured, space-efficient footprint. Two full-size SPR1000 power racks — each with a 3" x 3" 11-gauge steel mainframe and 1,000 lb weight capacity — provide side-by-side squat, bench, and overhead press stations for simultaneous use by multiple athletes.

The monkey bar bridge bolts the two racks together into a rigid, unified structure while adding overhead training options: pull-ups, hanging leg raises, traversals, and more. At 89 inches tall, each rack provides ample overhead clearance for standing shoulder presses and full-range chin-ups.

One-inch hole spacing in the bench zone (5/8" holes) means you can position the safety spotter bars at exactly the right height for every lifter — a critical safety feature for heavy squats and bench press. Additional hole spacing: 2-inch centers on the remaining front zones and 3-inch centers on the sides (7/8" holes).

Overall dimensions with monkey bars: 94" H x 197" W x 81" L. Compatible with the full range of Body-Solid Pro ClubLine rack attachments and accessories for expanded training options.

What is the weight capacity per rack: Each SPR1000 rack is rated for 1,000 lbs independently.

What is the hole spacing in the bench zone: 1-inch on center with 5/8" holes — the tightest spacing available for precise safety bar positioning.

Can I add accessories to these racks: Yes. The Double SPR1000 is compatible with the full range of Body-Solid Pro ClubLine rack attachments and accessories.

What are the overall dimensions: 94" H x 197" W x 81" L with the monkey bar bridge installed.

Why Buy From Fitness Supply: Fitness Supply helps customers build premium home gyms, recovery spaces, and commercial wellness environments with expert guidance, competitive pricing, and delivery or installation support available.

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SKU: 38509003250

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4.2 ★★★★★
Based on 28 reviews
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Product Reviews
J
Verified Purchase
JR
Waukegan, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
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Verified Purchase
Tahoeman
Los Angeles, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
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David R. Papke
Phoenix, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Los Angeles, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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