suono selvatico francesco pinetti ensemble

suono selvatico francesco pinetti ensembleSUONO SELVATICO (CVLD109) Author: FRANCESCO PINETTI Performer: FRANCESCO PINETTI ENSEMBLE Available in: CD, CD File Tracks 01 Maguda 02 Pango Pingo 03 Sun Light in the Ice 04 Sequencalypso 05 Pingo Pango 06 Merland 07 Rockiceland 08 Menta verde Notes POP. Original Compositions by Francesco Pinetti. Francesco Pinetti, vibraphone glockenspiel, percussions Marco Conti, bass Giovanni Falzone, trumpet Marco Bianchi, marimba Emanuele Maniscalco, drums Carlo

SUONO SELVATICO (CVLD109)

Author: FRANCESCO PINETTI
Performer: FRANCESCO PINETTI ENSEMBLE

Available in: CD, CD File

Tracks

01 - Maguda
02 - Pango Pingo
03 - Sun Light in the Ice
04 - Sequencalypso
05 - Pingo Pango
06 - Merland
07 - Rockiceland
08 - Menta verde

Notes

POP. Original Compositions by Francesco Pinetti. Francesco Pinetti, vibraphone glockenspiel, percussions / Marco Conti, bass / Giovanni Falzone, trumpet / Marco Bianchi, marimba / Emanuele Maniscalco, drums / Carlo Garofano, african percussions / Carl Nicita, flutes / Paolo Manzolini, guitars. 24 bit/96Khz Recording at MC Studio, Gavirate, Varese, ITALY. Vacuum tubes microphone preamplifier by Luca Martegani was used.

Suono Selvatico is a project that aims to highlight the vital (wild, in fact) side of making music: the Francesco Pinetti Ensemble consists of eight musicians (mostly very young) and is also an ensemble of people who share this positive aspect of playing together. The arrangements of the pieces, in addition to being influenced by many stylistic influences that prevent this music from being easily labeled, give each piece a particular character while always focusing on highlighting these two aspects:
1. the "natural" sound of the ensemble, meaning the combination of instrumental timbres mixed in an unusual way
2. the "wild" aspect of producing sound, which means playing simple things that do not require too much thought to be understood. The listener is drawn into this wild environment (but not hostile and violent, quite the opposite) to rediscover their wild dimension, to share a bit of freedom that this music wants to bring through its inspiration from nature. One of the pieces, for example, features the melody sung by a blackbird in spring without any modification (Merland). It's an "easy" listen, therefore, which often leaves a lasting impression on the wilder side of the listener.