SKU: 61829875939

SuperATV Polaris Ranger XD 1500 Half Windshield

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Description

SuperATV Polaris Ranger XD 1500 Half WindshieldComfort and Protection for Your Polaris Ranger 1500 Your Ranger 1500 is all about hard work, but that doesnt mean you have to be uncomfortable behind the wheel. Get SuperATVs Polaris Ranger XD 1500 Half Windshield to get the protection you need and the airflow you love. The upper lip directs air, bugs, and dust over your head without blocking your view, so you can ride in comfort. Diverts airflow for a more comfortable ride Made with durable

Comfort and Protection for Your Polaris Ranger 1500
Your Ranger 1500 is all about hard work, but that doesn’t mean you have to be uncomfortable behind the wheel. Get SuperATV’s Polaris Ranger XD 1500 Half Windshield to get the protection you need and the airflow you love. The upper lip directs air, bugs, and dust over your head without blocking your view, so you can ride in comfort.

  • Diverts airflow for a more comfortable ride
  • Made with durable polycarbonate
  • Optional XR Optic Hard Coating


Quick-Release Clamps Make Removal Easy
Our Polaris Ranger 1500 half windshield uses advanced one-of-a-kind clamps to make removal and reinstallation easy. You can pop it off and on in seconds to react to changing weather. Plus, the clamps are durable enough to survive long work days.

Our Ranger 1500 Half Windshield Won’t Obstruct Your View
You don’t want a windshield that makes it harder to see. That’s why our Polaris Ranger 1500 half windshield is designed to fit your machine perfectly. It won’t obstruct your view, but it will give you great protection from the elements. It’ll look great on your machine too.

Made with 1/4” Polycarbonate
If you want a tough windshield, you want a polycarbonate windshield. Our 1/4” polycarbonate is 250 times stronger than glass and 25 times stronger than acrylic. It’ll take heavy hits from rocks and branches so you don’t have to.

Choose XR Optic Hard Coating
Make this Polaris Ranger 1500 half windshield even better with our proprietary XR Optic Hard Coating. This clear coating goes on both sides to give your windshield excellent scratch and abrasion resistance. It won’t collect sunspots or turn yellow either. You’ll have crystal-clear rides for years to come.

Nobody Has More Windshield Experience than SuperATV
SuperATV makes the best windshields because we’ve made more windshields for more makes and models than anyone else. If you want the best you can get, buy from the engineers and fabricators who have the most experience—buy from SuperATV.

  • Available in clear or dark tint
  • Forward-facing lip moves air over your head without blocking your view
  • Polycarbonate construction is 25x stronger than acrylic and 250x stronger than glass
  • Contours to hood with a full-length rubber seal for a perfect fit
  • Optional XR Optic Hard Coating adds scratch resistance
  • Uses durable quick-release clamps
  • Easy installation—no tools needed!
  • Windshield height: 10-9/16"

Fitment: 

  • Polaris Ranger XD 1500 Premium : 2024+
  • Polaris Ranger XD 1500 NorthStar Premium : 2024+
  • Polaris Ranger XD 1500 NorthStar Ultimate : 2024+
  • Polaris Ranger Crew XD 1500 Premium : 2024+
  • Polaris Ranger Crew XD 1500 NorthStar Premium : 2024+
  • Polaris Ranger Crew XD 1500 NorthStar Ultimate : 2024+

DM/5-7-26

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Exchange/Return Notes
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SKU: 61829875939

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4.9 ★★★★★
Based on 8 reviews
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Product Reviews
J
Verified Purchase
JR
Natrona Heights, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Los Angeles, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lexington, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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