SKU: 62829750596

Roach, Max - Percussion Bitter Sweet

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Roach, Max - Percussion Bitter SweetNew Vinyl Record Percussion Bitter Sweet (Verve Vault Series) Percussion Bittersweet, released in 1961 on Impulse! Records, is one of preeminent jazz drummer Max Roachs most politically charged and musically expansive recordings. Recorded over two days in September 1960 at Universal Studios in Chicago, the record reflects Roachs deepening engagement with themes of social justice and Pan African identity. The ensemble features trumpeter Tommy

New Vinyl Record - Percussion Bitter Sweet (Verve Vault Series)

Percussion Bittersweet, released in 1961 on Impulse! Records, is one of preeminent jazz drummer Max Roach’s most politically charged and musically expansive recordings. Recorded over two days in September 1960 at Universal Studios in Chicago, the record reflects Roach’s deepening engagement with themes of social justice and Pan-African identity. The ensemble features trumpeter Tommy Turrentine, tenor saxophonist Clifford Jordan, and tuba innovator Ray Draper, alongside Roach’s own commanding blend of cymbal textures, mallets, and explosive rhythmic detail. The inclusion of vocalist Abbey Lincoln — Roach’s artistic and political partner at the time — adds urgency and emotional power to the project’s most pointed statements. While not formally structured as a suite, the album’s six tracks move fluidly between spiritual lament, militant swing, and improvisational abstraction. The opening piece, “Garvey’s Ghost,” sets the tone with Afro-Caribbean rhythmic undercurrents, while “Mendacity” takes aim at hypocrisy with biting horn lines and Lincoln’s dramatic delivery. Elsewhere, “Mama” and “Praise for a Martyr” explore personal and collective grief through dynamic interplay and modal intensity.

Side A
1. Garvey’s Ghost
2. Mama
3. Tender Warriors

Side B
1. Praise For A Martyr
2. Mendacity
3. Man From South Africa

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SKU: 62829750596

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Daniel Myers
Battle Creek, US
★★★★★ 4
A Reading of "The Last One"
Format: Paperback
This poem represents Merwin at his insidious best, the conversational tone of the poem slowly leading to something imminently and undefinably dark, doom-laden. The poem was originally published in "The Lice" a book of poems written in the French countryside where, Merwin says, "I felt at once a profound attraction to the rural world in which I was living and a disquieting recognition of the fragility and uncertainty of my relation to it." "The Last One" ominously conveys that disquiet.
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Reviewed in the United States on May 12, 2011
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Kenneth R. Davis
Whiting, US
★★★★★ 5
Five Stars
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I have many books by Mr Merwin and I like the Budhist mindset that shines through.
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Reviewed in the United States on June 19, 2016
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Patrick T. Watson
Whiting, US
★★★★★ 5
his best work.
Format: Paperback
The books in this compilation are, in my humble opinion, his best work.
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Reviewed in the United States on January 23, 2017
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LFB
Waukegan, US
★★★★★ 5
Five Stars
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An acquired taste, perhaps, but definitely my taste.
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Reviewed in the United States on August 21, 2016
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JustPeachez
Natrona Heights, US
★★★★★ 1
Was stream of consciousness...
Format: Paperback
Not what I expected.
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Reviewed in the United States on May 1, 2019

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