SKU: 75927225110

Screen Excellence Discovery High Performance Projector Screens 2.35:1

Sale price$1349.55 Regular price$1499.50
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Description

Screen Excellence Discovery High Performance Projector Screens 2.35:1World class Enlightor technology available at an affordable price. Taking the most important technical features of the Reference Fixed screen, the Discovery line offers the unsurpassed AT performance of Enlightor Neo, surrounded by a light absorbing velveted aluminium frame. Discovery screens offer many advanced features Uncompromised image and sound quality No moir effect ideal for use with 4k projectors Acoustically transparent woven black backing

World-class Enlightor technology available at an affordable price.

Taking the most important technical features of the Reference Fixed screen, the Discovery line offers the unsurpassed AT performance of Enlightor Neo, surrounded by a light absorbing velveted aluminium frame.

Discovery screens offer many advanced features

  • Uncompromised image and sound quality
  • No moiré effect - ideal for use with 4k projectors
  • Acoustically transparent woven black backing fabric eliminates rear wall light reflections while maximising contrast
  • High quality aluminium frame ensures structural rigidity
  • Groove tensioning system guarantees a perfectly flat projection surface
  • Velvet frame provides sharp black image border

The Audiophile Screen Surface

Enlightor Neo is the most advanced Acoustically Transparent projection surface available today.

With a negligible acoustic insertion loss and enhanced visual dynamic range, our premium surface elevates the viewer’s experience leading them into the realm of complete submersion.

Advanced features

  • Minimal acoustic insertion loss (<1.0 dB) across the frequency spectrum
  • 0.95 gain
  • Enhanced dynamic range

Testimonials

"Screen Excellence is a very well-respected brand with a great reputation. Cinema screens are incredibly technical and are a crucial part of any theatre design, so we are very proud to have such a well-engineered brand within our manufacturer database."

Guy Singleton - The Cinema Designer

"Screen Excellence provide a fast response to all of ours and our customer’s enquiries whether its pre or post sales. This installs confidence and maintains loyalty. Their UK manufactured screens are the stars of the show in many of the best home cinemas and rightly so; their Enlightor screen material is the best in the business. We are proud to be representing Screen Excellence in the UK"

CAVD, UK Distributor

"The support from Screen Excellence has proved to be invaluable and both the product range and ease of install make them our preferred choice. The new NEO fabric is the best I’ve seen and being made in the UK gives us added peace of mind that help is on hand if needed."

Custom Controls, UK Dealer

"My TAM screen was installed on Saturday. Very few things in life exceed my expectations. I have to say the screen is fantastic, super quality build and great screen material. Really has exceeded my expectations, so pleased with it…"

Rob Mannering - customer, Kent

"Screen Excellence A.T woven projection surfaces are perfect for use in our industry. Combining excellent colour neutrality with a flat frequency response and a minimal insertion loss, the screens provide the most accurate reproduction of video available and a precise stereo image when needed. Screen Excellence screens work so well for us at ENVY that we have installed them in every one of our seven projection studios."

Daniel Sassen - Head of Technical Operations, ENVY Post Production

"When designing the new ATMOS near-field dubbing theatre at Twickenham Studios we wanted to create design coherent with the with look and sound quality of our other dubbing theatres. The acoustic transparency of the Enlightor 4K woven surface is second to none and allows for a clear sonic range, particularly in the higher frequencies, compared to other perforated screens. The visual properties of the screen are also of a high standard, allowing for a great picture with minimal light reflections. Even when not using a 4K projector, which this screen will no doubt be able to manage with ease, the picture is high quality."

Tom Larby - Twickenham Studios

"When we were designing our new film mixing stage at Loudness Films, we wanted to improve the resolution of the monitoring system, but the “classical” perforated screens were an obstacle that we couldn’t get past. We needed a radical change in our approach, and that’s when we found Screen Excellence’s acoustically transparent screens. After installing the Enlightor 4K surface, our system retained it’s definition and the stereo image was something we had never experienced before in a cinema theatre."

Branko Neskov - Loudness Film

“Obviously, for me (as the designer of dubbing theatres) the sound quality is of great importance. I continue to be very impressed by the extra sonic transparency of the Enlightor 4K woven screen and have specified Screen Excellence surfaces for studio designs in Portugal, Russia, France, Brazil and India. The sound quality is not only due to the acoustic-transparency of the screen, per se, but also because the 8 to 10 dB of extra transparency at high frequencies, compared to some perforated screens, requires up to ten times less power to be driven into the high-frequency loudspeakers to achieve the same sound level in the theatres, which enables them to operate with much less stress on the diaphragms. It is a cleaner sound, all round.

Philip Newell - Philip Newell Acoustic Design

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SKU: 75927225110

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4.6 ★★★★★
Based on 26 reviews
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Product Reviews
M
Max
Massapequa, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Fort Morgan, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Whiting, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Whiting, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Massapequa, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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