SKU: 87172902532

SuperATV POLARIS RZR 900 GLASS WINDSHIELD

$209.22 $232.47
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Description

SuperATV POLARIS RZR 900 GLASS WINDSHIELDPerfect for a Lead FootYou like to put your foot down and keep it there. The adrenaline rush is what you live for. The dirt, rocks, and bugs pelting you in the face is not. Stay comfortable with SuperATVs Glass Windshield for the Polaris RZR 900. With wide viewing angles, extreme scratch resistance, and a glare reducing light tint, youll have perfect clarity while you ride. And you get a wiper included free so you can see in the rain. Its DOT approved

Perfect for a Lead Foot
You like to put your foot down and keep it there. The adrenaline rush is what you live for. The dirt, rocks, and bugs pelting you in the face is not. Stay comfortable with SuperATV’s Glass Windshield for the Polaris RZR 900. With wide viewing angles, extreme scratch resistance, and a glare-reducing light tint, you’ll have perfect clarity while you ride. And you get a wiper included free so you can see in the rain. It’s DOT approved and stamped so it’s 100% road ready without needing complicated paperwork. So go fast and keep your cab protected with an automotive glass windshield.

Glass is Too Hard to Scratch
The great thing about a laminated glass windshield is that it’s extremely scratch resistant. Whether you’re riding through branches on a tight trail or flying through dunes on a windy day, this safety glass can handle it. Low electrostatic buildup keeps dust and grime from clinging so you get perfect clarity 100% of the time.

Includes Sliding Vents and a Manual Wiper
You get a manual wiper right in the box. The length and mounting position were carefully chosen to give the driver the the widest view possible. It’s convenient and easy to use with one hand still on the wheel. With better sliding vents that let air in when you want it and keep water out when you don’t, you can say goodbye to leaky windshields.

Sealed Tight with Secure Seal Technology
We took extra steps to ensure that this windshield doesn’t let wind and water in at the edges. Our Secure Seal technology uses a combination of solid clamps and robust seals and gaskets to give you a tight fit against the cage. You get a comfortable ride thanks to a windshield that does its job right.

Secure Mount
The lightweight aluminum frame mounts securely to your side-by-side’s frame using heavy-duty clamps. This UTV windshield uses bulb seals and rubber gaskets to ensure every ride is rattle free. Installation is fast, easy, and secure. We also pack this windshield well enough to get to you in one piece. Yeah, we don’t like getting broken parts in the mail either.Features:

  • DOT approved and stamped laminated safety glass
  • Lightly tinted to reduce glare
  • Aluminum frame with UV-resistant powder coating
  • Built-in sliding vent
  • Manual wiper included
  • Easy to install

Fitment:

  • Polaris RZR 900 : 2015-2020
  • Polaris RZR S 900 : 2015-2020
  • Polaris RZR 4 900 : 2015-2018
  • Polaris RZR S4 900 : 2018

NOTE: Can be used with most soft or hard tops

TERMS OF WARRANTY
SuperATV offers the premium product on the market and extends the industry's best warranty to go with it. Each windshield carries a 1 year warranty to the original purchaser that each windshield be free from manufacturer's defects. (Contact us for warranty information.) 

Installation Instructions:

Instructions - GWS-P-RZRXP-001

Instructions -GWS-P-RZRXP

HOW-TO VIDEO

Polaris RZR S 1000 SuperATV Glass Windshield Install

In this video we show you how to install a SuperATV Glass windshield onto a Polaris RZR S 1000.


jds 7/26/23

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SKU: 87172902532

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4.7 ★★★★★
Based on 27 reviews
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Product Reviews
J
Verified Purchase
JR
Fort Morgan, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Battle Creek, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Boise, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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