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Description
29'' Royal Blue Sighthound Sleeveless Fleece Sweater ( 05)This fleece was returned to us as it did not fit the customers dog . The back length is 29'' and the chest is 36'' Bespoke Fit Fleece House Coat for Greyhound Whippets only (hand made to order!) Perfect pyjamas Is your greyhound, whippet or iggy feeling the cold at night? Does he need a little extra protection on a cold morning walk? Will he only wear super comfy fleece PJ's like his mum? Does he have a particular favourite colour? Are you looking for
This fleece was returned to us as it did not fit the customers dog . The back length is 29'' and the chest is 36''
Bespoke Fit - Fleece House Coat for Greyhound/Whippets only (hand-made to order!) Perfect pyjamas
-
Is your greyhound, whippet or iggy feeling the cold at night?
-
Does he need a little extra protection on a cold morning walk?
-
Will he only wear super comfy fleece PJ's like his mum?
-
Does he have a particular favourite colour?
-
Are you looking for an extra layer underneath his regular rain coat?
-
What about something warm but easy to wash?
-
Does your dog love his wardrobe a little too much?
Then this could be the ideal, hand-made garment for your next purchase! Your dog will love you for this warm, snugly, polar fleece, sleeveless pullover. This sighthound fleece offers extra warmth with the snood collar.
Beautiful & stylish jumpers for your furry friends who like to be warm and cosy during those cold winter days and nights.
These lovely whippet/greyhound jumpers/pyjamas are made in various colours (see below):
Colours:
Below is a sample of colours available. Please note these are subject to change from time to time. The current list of available colours can be seen on the swatches when making your choices at the top of the page.
Now with New Designs
These sighthound jumpers are made with a thick warm polar fleece, and would make a great addition to your hounds collection and can be used on it’s own or as a extra layer underneath a coat. A Harness can be worn over the top of the garment if required on walks (see pictures).
This is a custom, hand-made garment made just for you to your specifications.
This is why we must insist you provide all measurements when placing your order. We do NOT accept returns on this item if you measure your dog incorrectly. Returns are only accepted if there is a fault with the product or the wrong size/colour is sent.
Please allow a few days extra for delivery in the winter months when we get busy. This isn't an off-the-shelf greyhound/whippet fleece... it is a hand made item. Please read the guide below on how to correctly measure your dog and to avoid disappointment.
Guide to the perfect fit for your Sighthound's Fleece Jumper
Note: this is designed specifically to fit a sighthound. Please do not order if your dog is not a greyhound or whippet (or similar shaped breed) to avoid disappointment.
To place an order for this product we require the following three measurements (please take a moment to view the complete video above):
- BACK LENGTH (IN): With your dog standing measure from the nape of the neck along the spine to the tail. This is the size you will order and is how the price is calculated - It should closely match the SIZE you selected in the first box.
- CHEST (IN): Measure all the way around the widest part of the chest using a flexible tape measure.
- NECK (IN): Measure around the dogs neck at the point shown in the video above.
These are the three measurements we need from you in order to make sure your coat is the perfect fit. Enter in the boxes above the add to card button at the top of the page. If you don't own a sighthound and supply these measurements anyway, the coat is unlikely to fit and can still not be returned. Only order if you own a greyhound, whippet or similar shaped sighthound breed.
For the chest size measure around the widest part of the chest and in the list below chest the size is suitable for the length size. Below are some examples of fleece jumper sizes:
- Italian Greyhound : 17”(43cm ) long with a chest size of 20”(52cm) and neck size of 14”(36cm)
- Small Whippet : 20”(52cm) long with a chest size of 24”(61cm) and neck size of 16”(41cm)
- Medium Whippet : 22”(56cm) long with a chest size of 26” 66cm) and neck size of 17”(43cm)
- Large whippet : 24”(61cm) long with a chest size of 27”(69cm) and neck size of 18”(46cm)
- XL Whippet : 26”(66cm) long with a chest size of 30”(76cm) and neck size of 18”(46cm)
- Lurcher : 28”(71cm ) long with a chest size of 32”(82cm) and neck size of 19”(48cm)
- Greyhound : 30”(76cm) long with a chest size of 33’(84cm) and neck size of 22”(56cm).
Models Used in this Listing
Noodle in pink on the table
Harold on the sofa in Navy
Finn on the fleece blanket in Ochre
Smokey the 2yr old whippet
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 18 reviews
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Product Reviews
★★★★★ 5
Loved the Tension in the Book
Format: Kindle
I actually read this book awhile ago but now just getting to review it. I absolutely loved this book. The cover attracted my attention just because it's all in one cover and it's not something that I normally see. I loved the tension between Rosie and Ford. They fought so much that you knew once they both gave in to their temptation that it was going to be explosive. Also I fell in love with Ford's twelve year old daughter with her snarky and sass behavior. Though, you will see where she gets it from as you read the book. The plot is great, a little slow in some parts but it is easy to get past it. If you want to build up with some humor this is the book for you. The smut in this book is mild but it is what is expected since it's not a dark romance. I highly recommend checking out this book.
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Reviewed in the United States on March 20, 2026
★★★★★ 4
4.5⭐️
Format: Kindle, Format: Kindle
Wild Love deserves all the hype it’s gotten. For my first Elsie Silver book, this one was a 4.5⭐️
A sweet, simple small town romance that will keep you on your toes. Rosie was a pretty relatable character if you’ve grown up in a small town. That feeling of wanting to get out, and wanting something more is something most probably feel. But it turned out that wasn’t what she actually wanted, and moving back to Rose Hill ended up being the peace she really needed. While we all love a good enemies to lovers trope, Ford discovering he had a daughter was a nice touch and kept the story much more interesting. Wild love didn’t just tell of two friends falling for each other, but also Ford navigating his newfound fatherhood and Rosie stepping in to help not only him but his daughter.
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Reviewed in the United States on March 17, 2026
★★★★★ 5
I’m absolutely OBSESSED!!!!!!
Format: Paperback
My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters.
Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear.
Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create.
Favorite Parts
★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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Reviewed in the United States on February 3, 2026
★★★★★ 5
If you want to write that best seller correctly, this is the book for you!
Format: Paperback
Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand.
Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish.
Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more.
Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth.
Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable.
This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner.
Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice.
His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those.
Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures.
The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures.
By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it.
This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art.
He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten.
Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel.
This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work.
It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story.
Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses.
While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting.
Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling.
Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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Reviewed in the United States on February 6, 2024
★★★★★ 5
One of the best books about writing!
Format: Paperback
Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now!
Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end.
Great work!
OVERVIEW
The author talks about the LOCK system for your novel.
L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change.
O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc.
C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story.
K--Knockout--final fight against opposition
You need three ACT structure:
Beginning (Act 1) , Middle(Act 2), Ending (Act 3)
Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return.
Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return.
Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle
Add a twist if possible.
If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character.
I like to create also two charts. One is for the Lead showing how the character is changing internally.
Another one, characters who play the parts in your novel divided into following categories:
Character, Description, Objective, Role, Secret, and Emotion Evoked.
You can add as much as you want in your never ending list.
Scenes- HIP- Hook, Keep it Intense, Prompt to another scene
Stretch tension! You need show instead of tell.
ARM- Action, Reaction, and More Action
Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment.
Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels.
Or divide into sections; each section to contain the LOCK system and three act structure.
Some other things that I found valuable:
Flashbacks -- keep them short; create scenes out of them; use one HAD.
If your middle doesn't play well, do something unexpected like throwing a guy with a gun.
Unanticipate-- avoid cliches, create unpredictiable scenes, endings
If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense.
The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
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Reviewed in the United States on November 1, 2011