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Description
Quimper | LARGE Cake Platter | Signed & Numbered | TRADITION PATTERNBeauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11 5 in diameter. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time Quimper Corentin. From OldQuimper.
Beauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11/5 in diameter.
Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.
The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.
From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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4.7 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
Love them!!!
Size: 8, Color: Black/White/Black
Great!!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 6, 2026
★★★★★ 5
Stylish, Comfortable, and Versatile
Size: 11.5, Color: Ivory/Natural
I purchased the Cole Haan GrandPro Rally Canvas Court Sneakers in the cream/white color for both my husband and my brother, and they absolutely love them. These sneakers are sharp-looking, versatile, and pair well with everything from jeans to more polished, dressy-casual outfits.
Most importantly, they're incredibly comfortable right out of the box. The quality and craftsmanship are exactly what I've come to expect from Cole Haan.
If you're looking for a clean, classic sneaker that can be dressed up or down, I highly recommend these. A great purchase all around!
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Reviewed in the United States on May 30, 2026
★★★★★ 5
100% satisfy
Size: 10, Color: Ivory/Natural
Well made Canvas; Perfect fit; Beautiful design and look; Complementing material; Casual Elegance; Excellent price. I tried them with and without socks and they are as comfy as they can be. The elastic shoelaces gives them a better fit and hold all around.
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Reviewed in the United States on April 6, 2026
★★★★★ 5
Good shoe and affordable.
Size: 10.5, Color: Dusty Olive/White
Shoes fit and are very comfortable
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Reviewed in the United States on April 26, 2026
★★★★★ 4
Solid sneakers—worth it on a good discount
Size: 9, Color: Vintage Indigo Canvas/Natural
These sneakers are solid overall. They look good and feel comfortable for everyday use, and the quality is what I’d expect from the brand.
One thing to note: if you have to walk a lot, they can start to feel less comfortable on the top of the foot (upper area). It’s not a dealbreaker, but you’ll notice it on longer days.
That said, they’re definitely worth it if you catch a really good discount.
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Reviewed in the United States on February 12, 2026
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