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Description
Alive#1 NEW YORK TIMES BESTSELLER For fans of The Hunger Games, Divergent, and Red Rising comes a gripping sci fi adventure in which a group of teenagers wake up in a mysterious corridor with no knowledge of who they are or how they got trapped. Their only hope lies with an indomitable young woman who must lead them not only to answers but to survival. "I open my eyes to darkness. Total darkness. I hear my own breathing, but nothing else. I lift my head .
#1 NEW YORK TIMES BESTSELLER - For fans of The Hunger Games, Divergent, and Red Rising comes a gripping sci-fi adventure in which a group of teenagers wake up in a mysterious corridor with no knowledge of who they are or how they got trapped. Their only hope lies with an indomitable young woman who must lead them not only to answers but to survival."I open my eyes to darkness. Total darkness. I hear my own breathing, but nothing else. I lift my head . . . it thumps against something solid and unmoving. There is a board right in front of my face. No, not a board . . . a lid."
A teenage girl awakens to find herself trapped in a coffin. She has no idea who she is, where she is, or how she got there. Fighting her way free brings little relief--she discovers only a room lined with caskets and a handful of equally mystified survivors. Beyond their room lies a corridor filled with bones and dust, but no people . . . and no answers. She knows only one thing about herself--her name, M. Savage, which was engraved on the foot of her coffin--yet she finds herself in charge. She is not the biggest among them, or the boldest, but for some reason the others trust her. Now, if they're to have any chance, she must get them to trust one another. Whatever the truth is, she is determined to find it and confront it. If she has to lead, she will make sure they survive. Maybe there's a way out, a rational explanation, and a fighting chance against the dangers to come. Or maybe a reality they cannot comprehend lies just beyond the next turn. Praise for Alive
"Suspenseful . . . Alive] lives up to its hype, packing plenty of thrills."--Entertainment Weekly
"Fascinating and intriguing . . . a cross between Lord of the Flies and The Maze Runner and yet . . . so much more."--Fresh Fiction "A ripping, claustrophobic thunderbolt of a novel, Scott Sigler's Alive gives us an unforgettable young hero who must find the inner strength to lead without knowing where she is, who she is, and how bitterly the odds are stacked against her."--Pierce Brown, New York Times bestselling author of Red Rising
"Sigler has created a wonderful and engrossing character in M. Savage. Strong and smart, but with the na vet and misgivings of any teenage girl, she's someone you'll definitely want on your side when s*** hits the fan, which it most certainly does."--Veronica Belmont, host of Sword & Laser "A tense, unsettling page-turner of a story--both deeply strange and wildly compelling."--Cherie Priest, author of Boneshaker and Maplecroft "From the first page I was hooked. The puzzle unfolds masterfully, right down to the last page."--Dr. Phil Plait, author of Bad Astronomy
Binding Type: Paperback
Publisher: Del Rey Books
Published: 02/02/2016
ISBN: 9780553393125
Pages: 384
Weight: 0.65lbs
Size: 8.40h x 5.70w x 0.90d
Accelerated Reader Quiz #/Name: 186942 / Alive
Reading Level: 4.4 / Interest Level: Upper Grade / Point Value: 13
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4.2 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001