ZEDSY 'Bethlehem' (2017) Rare 3-Screen Print (Dismaland) SET

ZEDSY 'Bethlehem' (2017) Rare 3-Screen Print (Dismaland) SET'Bethlehem' 3 print Set by Zedsy, 2017 'Poison Reality', 'Animals' and 'Savior'. Rare matching number set based on the artist's inclusion to Banksy's Dismaland, 2015. 19. 5 x 19. 5 Inches each. 49. 5 x 49. 5 Centimeters each. Screen print set on (3x) 250gsm archival fine art paper. Limited Edition of 200 (#180 200). Individually Hand signed in pencil and artist stamped by Zedsy bottom right. Each print is also hand numbered and artist embossed with

'Bethlehem' 3-print Set by Zedsy, 2017
'Poison Reality', 'Animals' and 'Savior'.
Rare matching number set based on the artist's inclusion to Banksy's Dismaland, 2015.
19.5 x 19.5 Inches each.
49.5 x 49.5 Centimeters each.
Screen print set on (3x) 250gsm archival fine art paper.
Limited Edition of 200 (#180/200).
Individually Hand-signed in pencil and artist-stamped by Zedsy bottom right.
Each print is also hand-numbered and artist-embossed with Bethlehem log0 stamp bottom left.
Also includes individual, hand-numbered, newspaper-clipping-dated COAs from Zedsy.

ARTIST BIO

The anonymous British artist Zedsy’s work has appeared at Banksy’s Dismaland and Tate Modern, yet little is known about the elusive, mysterious street-art figure.

Zedsy has a similar stencil aesthetic to Banksy, using spray and acrylic paint to produce murals, paintings, prints, and ephemera. Using imagery taken from pop culture, such as Disney characters or Andy Warhol’s “Campbell’s Soup Cans,” Zedsy makes irreverent and satirical comments on contemporary life and politics.

The 'Campbell’s Tomato Soup Can' has a reduced-price sticker; 'Snow White' is absorbed in her iPhone. In 2016, Zedsy staged an intervention at Tate Modern, installing one of his “Reduced Soup Cans” in the galleries.