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Description
All At Sea - South beach 3 (#MUTCH_G_37)About: A stunning series of original oil paintings by artist Gil Mutch, inspired by coastal scenes in Norfolk. Gil maintains a quality and consistency across a body of work, painting in an identifiable and distinctive style and a variety of subject matter (landscapes, still life studies and portraits). Her starting point for a picture is always an experience vivid, but sometimes quite fleeting. Repeated layers and textures are built up in Gil's
About: A stunning series of original oil paintings by artist Gil Mutch, inspired by coastal scenes in Norfolk. Gil maintains a quality and consistency across a body of work, painting in an identifiable and distinctive style and a variety of subject matter (landscapes, still life studies and portraits). Her starting point for a picture is always an experience - vivid, but sometimes quite fleeting. Repeated layers and textures are built up in Gil's intriguing work, frequently returning to a painting, over a very long period of time, before the piece is complete.
"When we stand in front in front of the resulting picture we are immediately caught up in it's world, sharing her excitement in making the huge brush-marks with their luscious colour to create a dynamic journey across the canvas. We also sense the evolution of the picture, with layers of paint from many previous states clearly visible". Graham Miles. The John Russell Gallery
Medium: Oil on canvas, original painting
Size: 130cm (W) by 122cm (H)
Artist Info: Gil Mutch has qualifications from Camberwell School of Art (84-87), London College of Printing (97-99) and Kensington & Chelsea College (98-99). She exhibits widely across the UK, with principal solo exhibitions including the Stable Gallery (London), Baker Tilly (London) and The John Russell Gallery (Sulfolk)
"When we stand in front in front of the resulting picture we are immediately caught up in it's world, sharing her excitement in making the huge brush-marks with their luscious colour to create a dynamic journey across the canvas. We also sense the evolution of the picture, with layers of paint from many previous states clearly visible". Graham Miles. The John Russell Gallery
Medium: Oil on canvas, original painting
Size: 130cm (W) by 122cm (H)
Artist Info: Gil Mutch has qualifications from Camberwell School of Art (84-87), London College of Printing (97-99) and Kensington & Chelsea College (98-99). She exhibits widely across the UK, with principal solo exhibitions including the Stable Gallery (London), Baker Tilly (London) and The John Russell Gallery (Sulfolk)
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4.2 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 5
Will Dispell The Idea That There Are 400 Silent Years.
Format: Hardcover
This was a great read, covering the period from 500 BC to the 1st century CE. It's solidly rooted in the Bible and presents a clear, easy-to-follow narrative of a historically complex era. Thanks to this book, I now see the Gospels as a natural continuation of that time. The insights into the power struggles among various sects are particularly compelling, as is the exploration of how compromises were made in the pursuit of influence. A truly worthwhile read!
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Reviewed in the United States on May 22, 2025
★★★★★ 5
Impossible to put down.
Format: Hardcover
Possibly the best book written on this mostly neglected period In religious history.
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Reviewed in the United States on December 30, 2024
★★★★★ 5
awesome
Format: Kindle
awesome coverage of the period from post-exile to the NT. I really like the focus on the Davidic kingdom.
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Reviewed in the United States on January 1, 2025
★★★★★ 5
Great Research
Format: Hardcover
Excellent book. Great research and easy to read. Highly recommended.
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Reviewed in the United States on January 11, 2024
★★★★★ 3
Knowledgeable History; Uncharitable Theological Commentary
Format: Kindle
The author seems incredibly knowledgeable about the topic. I am learning a tremendous amount about the period bridging the Old and New Testament periods by reading this book. However, it is incredibly frustrating to me that the author compares modern day fellow-Christian cessationists with the unbelieving Sanhedrin whom Stephen excoriated in Acts chapter 7.
"The insinuation is that the Holy Spirit, which had inspired the Torah, was the very same spirit who had been prophetically active down to the time of Jesus but whom the Jewish leaders were now railing against. One wonders what words Stephen would have for modern readers who perpetuate the notion of prophetic silence."
At first this passage irritated me as an unnecessary and uncharitable jab. But I decided to write a review to let readers know to be prepared: if you do not have a Grudem-style view of ongoing prophecy, you should expect the author of this book to take cheap and uncharitable jabs, and to compare you to unbelieving Jews who rejected God's word. It actually colors my ability to take the author seriously, though I paid far too much for this book not to persevere through it.
The author could have chosen to take an objective and charitable stance and simply report the facts. I'm surprised an editor didn't encourage the author to restrain his criticisms.
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Reviewed in the United States on January 13, 2024