SKU: 49500755708

Brake Pads Racing Ceramic Carbon Goldfren S33-242 (EBC FA436)

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Description

Brake Pads Racing Ceramic Carbon Goldfren S33-242 (EBC FA436)The S33 series is optimal for ambitious first class pro level off road riders, who demand the ultimate edge on their racing with absolute great braking feel and exceptional longevity. The S33 series is also ideal for street bikes, cruisers, speed bikes and dual sport riders who demand the best sintered pad with high performance and excellent wear life. The S33 series is currently used in world championship races by motocross and enduro riders. The S33

The S33 series is optimal for ambitious first-class pro level off-road riders, who demand the ultimate edge on their racing with absolute great braking feel and exceptional longevity.

  • The S33 series is also ideal for street bikes, cruisers, speed bikes and dual sport riders who demand the best sintered pad with high performance and excellent wear life.
  • The S33 series is currently used in world championship races by motocross and enduro riders.
  • The S33 compound provides non-aggressive interaction with the brake rotor, long life and self-cleaning capabilities. Additionally, the S33 pads feature a stainless-steel heat shield for thermal isolation.
  • The S33 compound contains all-metal friction materials and finer metal friction admixtures evenly distributed in the base structure designed for optimal friction to achieve the greatest friction properties possible under heavy conditions.

This brake pad is fitment specific! Please check Fitment Table to verify that this pad fits your bike before purchase. Not sure? Please contact us ... we are happy to help!

Need help deciding? Check out our Ultimate Brake Pad Buying Guide

About GOLDfren friction materials

  • AD, S3, S33 and GP compounds are homologated by German institute TÜV Rheinland.
  • All of our brake pads are made with sintered metal-ceramic and ceramic-carbon friction materials
  • Sintered brake pads is a modern technology that provides the greatest brake power and wear life possible
  • Sintered pads provide superior stopping power and longer life compared to other brake pad types such as: carbon organic, organic, or semi-metallic organic
  • Sintered pads offer no brake fade when operating at high temperatures and in wet conditions
  • GOLDfren is a pioneer in sintering with advanced and progressive powder metallurgy methods
  • Designed for both wet and dry applications
  • Sintered brake pads deliver exceptional braking performance under the most demanding conditions
  • All materials are lead and asbestos free
  • High-end quality aftermarket performance disc brakes


Important Disclaimer: Brake Parts Fitment and Installation. Verify Fitment before purchasing or installing any brake parts, it is the customer's sole responsibility to verify that their specific bike model is listed in the fitment table for the product. Compatibility issues can lead to serious safety hazards. If you are unsure, please contact us for assistance before proceeding.

Professional Installation Required: All brake system components are critical for your safety. Therefore, all brake parts MUST be installed by a qualified and certified professional mechanic. Improper installation can result in brake failure, leading to severe injury or death. By purchasing these parts, you acknowledge and accept this condition. We are not liable for any damages, injuries, or fatalities resulting from improper installation.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 49500755708

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4.4 ★★★★★
Based on 8 reviews
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Verified Purchase
David R. Papke
Cuba, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Louisville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Pawtucket, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Battle Creek, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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