SKU: 57213458059

HKM-863379 Tripod Selfie Stick with Bluetooth Remote and Dual LED Ring Lights 1.7m Extendable Pole

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Description

HKM-863379 Tripod Selfie Stick with Bluetooth Remote and Dual LED Ring Lights 1.7m Extendable PoleIntroducing the HKM 863379 Tripod Selfie Stick, a versatile tool designed for everyone, from casual selfie takers to professional content creators. This tripod selfie stick features a Bluetooth remote and dual LED ring lights, providing an impressive 1. 7 meter extendable pole to capture your good angles. Available in three variants, there's something for every need. The R16 is a compact and practical option, featuring a built in tripod base and

Introducing the HKM-863379 Tripod Selfie Stick, a versatile tool designed for everyone, from casual selfie takers to professional content creators. This tripod selfie stick features a Bluetooth remote and dual LED ring lights, providing an impressive 1.7-meter extendable pole to capture your good angles.

Available in three variants, there's something for every need. The R16 is a compact and practical option, featuring a built-in tripod base and lightweight design, making it an excellent choice for casual use. Its 1.7-meter extendable pole coupled with a reliable grip handle makes capturing steady shots effortless. The foldable legs also allow for hands-free shooting, perfect for video calls or impromptu vlogs.

For those seeking enhanced lighting, the R16K includes two built-in dual LED ring lights with three adjustable color temperature settings—cool, warm, and natural. This makes it an ideal choice for makeup tutorials or content creation in low-light conditions. Whether you're capturing reels for social media or engaging in Zoom calls, the R16K ensures that you look your good.

Finally, the H12D takes it a step further, offering a full creator kit equipped with larger dual LED ring lights for even brighter and adjustable illumination. This model is designed for serious shooting, featuring USB charging, an ultra-long telescopic pole, and a reinforced tripod base for exceptional stability. Whether you're livestreaming or creating professional YouTube content, the H12D delivers.

All models share common features that enhance usability, such as a Bluetooth wireless shutter compatible with both Android and iOS devices, a 360° rotating phone holder, a compact foldable design, and a durable aluminum and plastic build. With these tools at your disposal, capturing high-quality photos and videos has never been easier. Whether for personal use or professional projects, the HKM-863379 Tripod Selfie Stick range adapts to your creative needs.

R16 / R16K / H12D Selfie Stick Tripod Range – From Basic to Pro Lighting Setup

Whether you're snapping casual selfies, recording content, or streaming live, this trio of selfie sticks has you covered – from the simple and sturdy R16 , to the light-enhanced R16K , to the fully loaded H12D with dual ring lights.


R16 – Compact & Practical

A no-frills selfie stick with a built-in tripod base and a 1.7-meter extendable pole, the R16 is ideal for casual use. Its grip handle ensures steady holding, and the foldable legs offer hands-free shooting – perfect for video calls or quick vlogs.

  • Extendable to 1.7 m

  • Tripod + grip combo

  • Lightweight & portable


R16K – Bright Selfies with Dual Ring Lights

The R16K takes it up a notch with two built-in LED ring lights. It offers three lighting modes (cool, warm, natural), making it perfect for makeup, content creation, or shooting in low-light environments.

  • All features of R16, plus:

  • Dual LED ring lights for soft, even lighting

  • 3 color temperature settings

  • Great for reels, Zoom, and TikTok


H12D – Full Creator Kit with Enhanced Lighting

The H12D is the ultimate pick for content creators who need flawless lighting and professional stability. With two large LED ring lights, USB charging, an ultra-long telescopic pole, and a reinforced tripod base, this model is built for serious shooting.

  • Large dual ring lights (brighter and adjustable)

  • Bluetooth remote and USB cable included

  • Ultra-stable base + enhanced grip

  • Perfect for livestreaming, YouTube, and pro content


Common Features Across All Models:

  • Bluetooth wireless shutter (compatible with Android & iOS)

  • 360° rotating phone holder

  • Compact, foldable design

  • Durable aluminum + plastic build

  • Hands-free tripod mode

Shipping Notes
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SKU: 57213458059

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4.7 ★★★★★
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Verified Purchase
David R. Papke
Houston, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Lake Worth, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
New York, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Lake Worth, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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