SKU: 60687744261

Tina Turner – Simply The Best (Brand New) Vinyl

Sale price$2925.00 Regular price$3250.00
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Description

Tina Turner – Simply The Best (Brand New) VinylA1 The Best Backing Vocals Lance Ellington, Tessa Niles Bass T. M. Stevens Drums Art Wood Guitar [Power Theme] Pat Thrall Keyboards [Additional Bridge] Philippe Saisse Keyboards [Additional Theme], Strings Elliot Lewis Keyboards, Bass [Pulse] Phil Ashley Producer, Acoustic Guitar, Keyboards, Backing Vocals Dan Hartman Producer, Arranged By Tina Turner Recorded By Chris Lord Alge Rhythm Guitar Gene Black, James Ralston Saxophone [Solo] Edgar Winter

A1 The Best
Backing Vocals  Lance Ellington, Tessa Niles
Bass  T.M. Stevens
Drums  Art Wood
Guitar [Power Theme]  Pat Thrall
Keyboards [Additional Bridge]  Philippe Saisse
Keyboards [Additional Theme], Strings  Elliot Lewis
Keyboards, Bass [Pulse]  Phil Ashley
Producer, Acoustic Guitar, Keyboards, Backing Vocals  Dan Hartman
Producer, Arranged By  Tina Turner
Recorded By  Chris Lord-Alge
Rhythm Guitar  Gene Black, James Ralston
Saxophone [Solo]  Edgar Winter
Written-By  H. Knight*, M. Chapman*
4:08
A2 I Can't Stand The Rain
Drums  Graham Broad
Engineer, Mixed By  John Hudson
Keyboards  Nick Glennie-Smith
Producer, Guitar  Terry Britten
Written-By  Peebles*, Miller*, Bryant*
3:42
A3 What's Love Got To Do With It
Backing Vocals  Tessa Niles
Drums  Graham Jarvis
Engineer, Mixed By  John Hudson
Percussion  Simon Morton
Written-By  G. Lyle*
Written-By, Producer, Guitar, Backing Vocals  T. Britten*
3:48
A4 I Don't Wanna Lose You
Backing Vocals  Holly Knight, Tina Turner
Drums  Geoff Dugmore
Guitar  Gene Black, James Ralston
Keyboards  Casey Young
Keyboards, Strings  Nick Glennie-Smith
Producer  Roger Davies
Producer, Backing Vocals  Graham Lyle
Producer, Shaker, Backing Vocals  Albert Hammond
Recorded By  Mike Ging, Tommy Vicari
Saxophone [Solo]  Gary Barnacle
Synthesizer [Bass]  Greg Mathieson
Written-By  A. Hammond*, G. Lyle*
4:18
A5 Let's Stay Together
Backing Vocals  Glenn Gregory
Engineer  Walter Samuel
Guitar  Ray Russell
Percussion  Frank Riccotti*
Piano, Synthesizer  Nick Plytas
Producer, Arranged By, Engineer, Programmed By [Fairlights-cmi]  Greg Walsh
Producer, Arranged By, Programmed By [Linn Drum], Backing Vocals  Martyn Ware
Saxophone  Gary Barnacle
Written-By  Green*, Jackson*, Mitchell*
3:37
B1 Steamy Windows
Bass  Carmine Rojas
Drums  J.T. Lewis
Guitar [Slide & Chord Power], Other [Crunch Note]  Neil Taylor
Horns [Section]  Jeff Bova
Producer, Electric Piano, Organ  Dan Hartman
Recorded By  Chris Lord-Alge
Rhythm Guitar  Eddie Martinez
Saxophone [Section]  Gary Barnacle
Written-By, Lead Guitar, Rhythm Guitar, Synthesizer [Bass], Harmonica  Tony Joe White
4:03
B2 Typical Male
Backing Vocals  Tessa Niles
Drums  Phil Collins
Engineer [Assistant]  Mike Ging
Engineer, Mixed By  John Hudson
Keyboards  Nick Glennie-Smith
Performer [Ambisonics Surround Sound]  Richard Elen
Saxophone [Solo]  Timmy Cappello*
Vocals  Tina*
Written-By  G. Lyle*
Written-By, Producer, Guitar, Bass, Backing Vocals  T. Britten*
4:15
B3 We Don't Need Another Hero (Thunderdome)
Choir  Kings House School*
Drums, Percussion  Charlie Morgan, Graham Broad
Engineer [Assistant]  Mike Ging
Engineer, Mixed By  John Hudson
Keyboards  Nick Glennie-Smith
Saxophone  Timmy Cappello*
Written-By  G. Lyle*
Written-By, Producer, Guitar, Bass  T. Britten*
4:14
B4 Private Dancer
Bass  John Illsley
Drums  Terry Williams (3)
Guitar  Hal Lindes
Guitar [Solo]  Jeff Beck
Keyboards  Alan Clark
Percussion  Carter*, Julian Diggle
Producer  Carter*
Remix  Humberto Gatica
Saxophone  Mel Collins
Written-By  Mark Knopfler
4:00
B5 Better Be Good To Me
Backing Vocals  Cy Curnin, Tina Turner
Drums [Acoustic]  Trevor Morais
Guitar  Jamie West-Oram
Producer, Bass, Keyboards, Percussion [Programming], Backing Vocals  Rupert Hine
Written-By  H. Knight*, M. Chapman*, Chinn*
3:38
C1 Nutbush City Limits (The 90's Version)
Backing Vocals  Tessa Niles
Engineer  Robin Hancock
Guitar  Phil Palmer
Horns  Steve Hamilton
Keyboards  Richard Cottle
Percussion  Steve Sedelnick*
Producer, Mixed By, Programmed By [Additional], Instrumentation By [Additional]  C.J. Mackintosh*
Saxophone  Andy Hamilton (7)
Saxophone [Solo]  Timmy Cappello*
Trumpet  John Thirkell
Written-By  Tina Turner
3:42
C2 It Takes Two
Drums  Rave Calmer
Guitar  Jeff Golub
Keyboards  Chuck Kentis
Lead Vocals [Duet]  Rod Stewart
Producer  Rod Stewart
Producer, Bass  Bernard Edwards
Saxophone [Solo]  Jimmy Roberts
Written-By  S. Moy*, W. Stevenson*
4:11
C3 River Deep-Mountain High
Bass [Fender]  Carol Kaye
Bass [Upright]  James E. Bond, Jr.*
Drums  James Gordon*
Drums, Leader [Band]  Earl Palmer
Engineer  Larry Levine
Guitar  Barney Kessel, Donald Peake*
Percussion  Frank Capp, Gene Estes
Performer [Other Instruments]  John Ewing, Robert Gerstlauer
Producer, Remastered By [Re-mastered & Equalised By]  Phil Spector
Saxophone  James Horn*, Plas Johnson
Trumpet  Roy V. Caton*
Written By  Spector/Barry/Greenwich
Written-By  Greenwich*, Barry*, Spector*
3:38
C4 Be Tender With Me Baby
Backing Vocals  Tessa Niles
Bass  T.M. Stevens
Drums  Art Wood
Guitar [Additional Lead Guitar Fills]  Pat Thrall
Keyboards [Additional]  Phillipe Saisse*
Lead Guitar, Guitar [Power], Guitar [Solo]  Gene Black
Organ, Synthesizer, Strings  Phil Ashley
Producer, Acoustic Guitar  Dan Hartman
Recorded By  Chris Lord-Alge
Rhythm Guitar  James Ralston
Written-By  A. Hammond*, H. Knight*
4:16
D1 Addicted To Love (Live In London, 1987)
Bass  Bob Feit
Drums  Jack Bruno
Keyboards  Alan Clark, Don Snow
Percussion  Steve Scales
Producer [Additional], Remix  Chris Lord-Alge
Producer, Recorded By  John Hudson
Saxophone  Gary Barnacle
Saxophone [Solo]  Timmy Cappello*
Written-By  Robert Palmer
5:03
D2 I Want You Near Me
Backing Vocals  Tessa Niles
Engineer  Mike Ging, Robin Hancock
Keyboards  Nick Glennie-Smith
Mixed By  John Hudson
Producer, Guitar, Bass, Drum Programming, Backing Vocals  T. Britten*
Saxophone  Timmy Cappello*
Written By  T. Britten/G. Lyle
Written-By  G. Lyle*, T. Britten*
3:52
D3 Way Of The World
Backing Vocals  Tina Turner
Bass  Bob Feit
Drums  Jack Bruno
Guitar  Gene Black, James Ralston
Piano  Kenny Moore
Producer  Albert Hammond, Roger Davies
Producer, Engineer, Mixed By  Chris Lord-Alge
Saxophone [Solo], Backing Vocals  Timmy Cappello*
Written-By  A. Hammond*, G. Lyle*
4:24
D4 Love Thing
Bass  Bob Feit
Drums  Jack Bruno
Engineer [Assistant]  Talley Sherwood
Guitar  James Ralston
Keyboards  Ollie Marland
Lead Guitar  Gene Black
Piano  Kenny Moore
Producer  Roger Davies, Tina Turner
Producer, Engineer, Mixed By  Chris Lord-Alge
Saxophone, Organ, Tambourine, Backing Vocals  Timmy Cappello*
Written By  H. Knight/A. Hammond
Written-By  A. Hammond*, H. Knight*
4:27
Shipping Notes
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Exchange/Return Notes
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SKU: 60687744261

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4.1 ★★★★★
Based on 8 reviews
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Product Reviews
P
Verified Purchase
Pat Traynor
Lake Worth, US
★★★★★ 1
No returns and no support. If it doesn't work properly, too bad.
Style: Printer & Inks, Style: Printer & Inks
I was fairly happy with my Epson ET 2800, but was told that I'd get better colors with the F170. So I bit the bullet. The installation went smoothly and I was printing in short order. It was when I started printing items that had some dark gray that I noticed the problem. It was printing green. I contacted Epson tech support and they answered the phone almost immediately. (And how rare is that??) The woman I spoke with seemed to be familiar with the problem and advised me to modify the printer preferences and change the color correction from "ICM" to "No color correction". Well, it wasn't printing green anymore. Now the grays were brown. At this point, she ran out of ideas and gave me an email address for the second level of tech support and asked if I'd send a photo of the printed fabrics showing the problem. I did. That was over three weeks ago. I've sent a couple of followup emails, but they're ignoring me. But the best news was discovering that there are no returns on this product. I didn't think that was a thing with Amazon and I've never had any problems before. So now the 30-day return window is about to elapse and it appears that I'm stuck with an oversized doorstop. In the photo I'm including with this review, the fabric on the upper-left was printed with my Epson ET 2800. On the upper right, the F170 with ICM color correction. On the bottom, the F170 with no color correction.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 12, 2025
C
Verified Purchase
Cherished1
Lexington, US
★★★★★ 5
Epson SureColor F170 Sublimation Printer Rocks!
Style: Printer & Inks, Style: Printer & Inks
TI’m a newbie at sublimation, and this is my first sublimation printer. I love it! I can’t wait to make more things! I like that it’s not too large, but still can print up to 8.5x14”. The quality seems to be really good, but I also don’t have any other printer to compare it to. This was my very first project! I’m very happy with it so far!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2026
B
Verified Purchase
B.Nicole
Carnegie, US
★★★★★ 5
My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches. I use this regularly to make air fresheners and tote bags for my small business, and the color payoff is always vibrant and crisp. The transfer rate is excellent, and it works beautifully on light-colored, high-quality polyester and other sublimation-ready surfaces. If you’re a small business owner or crafter who values consistency, quality, and ease of use, this paper is absolutely worth it. I highly recommend it and will continue to repurchase.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 24, 2026
J
Verified Purchase
Jimmy
Lexington, US
★★★★★ 5
Best Sublimation Paper
Size: 8.5"x11"
I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper. When I go to press my designs, the ink releases almost completely, leaving very little behind on the paper and putting all that color onto the project. The final results look super professional, with colors that are vibrant and sharp rather than looking faded or dull. It has worked perfectly for everything I’ve tried so far, and if you want a reliable paper that gives you consistent, high-quality results, this is definitely the one to get.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 25, 2026
N
Verified Purchase
Nadiagne
Boise, US
★★★★★ 5
Ideal for sublimation beginners.
Size: 8.5"x11"
Asub sublimation paper has been excellent for my projects. The ink transfer is very good, the colors are vibrant and defined, and it dries quickly. It has helped me achieve clean and professional results, even as a beginner. Without a doubt, it's a reliable, high-quality paper for sublimation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 15, 2026

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