International Block Print Renaissance

International Block Print RenaissanceThe International Block Print Renaissance began in the last decades of the 19th century in Europe, as artists and collectors rediscovered the block print medium. Wichita played a major role in expanding this renaissance throughout America. In 1922, the newly assembled Wichita Art Association presented American Block Print Makers as one of its first exhibitions. The exhibition inaugurated a century long relationship between Wichita and prints.

The International Block Print Renaissance began in the last decades of the 19th century in Europe, as artists and collectors rediscovered the block print medium. Wichita played a major role in expanding this renaissance throughout America.

In 1922, the newly assembled Wichita Art Association presented American Block Print Makers as one of its first exhibitions. The exhibition inaugurated a century-long relationship between Wichita and prints. Beginning in 1928, Wichita hosted an annual juried block print exhibition. It continued through the 1990s and became one of the most important print competitions in America. In these same years, the Wichita-based Prairie Print Makers–a national print artist collective–was founded, and from 1931 through 1965 assembled annual exhibitions. Together, these events firmly established Wichita’s position in the history of printmaking and American art.

The International Block Print Renaissance Then and Now includes more than 140 prints. Together with its accompanying catalogue, the exhibition explores Wichita’s important role in the history of this international renaissance. It features prints by European leaders including Emil Orlik, Walther Klemm, Henri Riviére, Frank Morley Fletcher, John Platt, Allen Seaby, Jules Chadel, Hans Neumann, and Auguste Lepére. It also includes works by the Japanese masters Katsushika Hokusai and Ando Hiroshige. These European and Japanese masters influenced and inspired the American printmakers featured in the show, including B.J.O. Nordfeldt, Ernest Watson, Helen Hyde, Frances Gearhart, Gustave Baumann, and C.A. Seward. Many of these artists were chosen for the initial 1922 exhibition and the annual print shows that followed.

The International Block Print Renaissance Then and Now also celebrates the ongoing vigor of this renaissance through the work of 12 contemporary printmakers–Jean Gumpper, Mark Sisson, Mike Lyon, Karen Kunc, Leon Loughridge, Gordon Mortenson, Micah Schwaberow, Walt Padgett, Michelle Martin, Tim High, Louise Fisher, and Linda Lee Boyd. These artists—like their predecessors who worked a century before–continue to push the artistic possibilities of the block print medium. Join WAM in celebrating the 100th anniversary of block prints in our city, then and now.

*Note: These are soft covers. The remaining books have some creases and blemishes on their covers. All sales are final.