SKU: 92095448223

Ferrari SF-25 - 2025 Australian Grand Prix

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Description

Ferrari SF-25 - 2025 Australian Grand PrixBased on the cars raced by Charles Leclerc and Lewis Hamilton in the Louis Vuitton Australian Grand Prix at Albert Park Circuit on the 16th of March 2025 Each model hand built and assembled by a small team of craftsmen 1: 18 scale model, over 31cm 12in long Made using the finest quality materials Over 800 hours to develop the model Precisely engineered parts: castings, photo etchings and CNC machined metal components Built using original CAD designs

  • Based on the cars raced by Charles Leclerc and Lewis Hamilton in the Louis Vuitton Australian Grand Prix at Albert Park Circuit on the 16th of March 2025
  • Each model hand-built and assembled by a small team of craftsmen
  • 1:18 scale model, over 31cm/12in long
  • Made using the finest quality materials
  • Over 800 hours to develop the model
  • Precisely engineered parts: castings, photo-etchings and CNC machined metal components
  • Built using original CAD designs and paint codes supplied by Scuderia Ferrari

Scuderia Ferrari HP’s competitor for the 2025 FIA Formula One World Championship season, the SF-25 sought to build on the platform of its predecessor, the multiple race-winning SF-24. With Charles Leclerc entering his seventh season with the team and the highly publicised arrival of Lewis Hamilton, who made global headlines by leaving Mercedes after 11 years to move to Maranello, the SF-25 pushed to better Ferrari's performance in 2024, where they finished just 14 points beyond eventual title winners McLaren.

Technical Developments

Unveiled at the F1 75 launch event on the 18th of February at London’s O2 Arena, the SF-25 was the 71st Formula 1 car built by Ferrari. Although it was the fourth of the second generation of ground effect cars introduced in 2022, it represented a complete redesign, utilising distinct technical solutions to those adopted in the past. The most visible change initiated was the transition from a pushrod to a pull-rod front suspension. This architectural shift aimed to enhance airflow around the car and provide greater opportunities for aerodynamic development, which had been largely exhausted in the previous model. The SF-25 was an evolution in every aspect compared to previous year's car, offering a solid foundation for improvement. It was designed to maximise development potential in a season where, due to the stability of the regulations entering their final year, remarkably close competition was expected, with just thousandths of a second separating lap times. While the power unit did not introduce any groundbreaking innovations, it was further optimised to extract maximum performance. Ensuring reliability remained an ongoing effort; over the winter, despite reduced permitted hours of test bench running, significant work was done to analyse and refine each process based on lessons learned from the 2024 season, ensuring robustness across all components.

A Striking New Livery

The SF-25’s livery underwent a striking transformation, beautifully blending elements of past, present and future, with a declaration of style, power and tradition. The darker shade of 2025 Racing Red, with its matte finish, evoked decades of racing, drawing inspiration from the intense tones of the early Scuderia cars. A bold, angled white band prominently adorned the car, symbolising dynamism and a vision that looked to the future. Amid the main colour scheme, subtle thin, glossy red and white stripes introduced a balance of tradition and modernity, reminiscent of the sartorial care applied to the clothing and cars that Ferrari produces every day. The contrast between white and red was a tribute to the marque’s history and identity, and to the continuous evolution of Ferrari style, a manifesto for refined sportiness and timeless aesthetics. Notably, the glossy detail on the bodywork was in contrast to the matte detailing on gloss finish of the World Endurance Championship-competing 499P Hypercar, underlining the Maranello DNA shared by the two cars that competed in the most important motor racing championships. The wheel rims were also entirely red, while the numbers on Charles’ and Lewis’ cars were white, in Ferrari’s official font, Ferrari Sans.

Note: This is a 'Kerbside' model and does not feature any moving parts.

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SKU: 92095448223

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Pomegranate Pear
Whiting, US
★★★★★ 5
Valuable perspective; moving; beautiful
Format: Hardcover
I loved this book. I devoured the entire thing in one sitting on a Sunday afternoon. It's a beautiful and tragic and warm story all at the same time. I feel like a lot of times when we hear about the Vietnam war in the United States, it's told from the perspective of American soldiers rather than the Southern Vietnamese who lost their home land. Really refreshing to see this diverse and nuanced perspective. I look forward to Thi Bui's future works.
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Reviewed in the United States on August 23, 2022
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Savannah L.
Alexandria, US
★★★★★ 5
This book healed me
Format: Paperback
Beautifully written and illustrated. Although Thi Bui and I have astronomically different life experiences, I still found I could relate on a deeply personal level. This book taught me empathy and forgiveness at a time in my life where I struggled to have it. Bui nailed the complicated feelings and emotions that comes with confronting abuse, abusers (who happen to be your parents), and the painful impact of generational trauma on both the parent and child. Highly recommend this book to anyone who is on a path of healing their own broken heart.
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Reviewed in the United States on June 16, 2023
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Gabby M
Draper, US
★★★★★ 4
Powerful Family History
Format: Paperback
After the birth of her son, Thi Bui feels an increased sense of urgency about learning the stories of her own parents. Like all but her youngest sibling, she was born in Vietnam, though the children came of age in the United States. While the war itself haunts all of them, was the reason they left their homeland, the wounds her parents bear go far beyond the military conflict. This was only the second graphic novel I’ve ever read (both have been memoirs), and like the first was also selected by my book club. I feel like the limitations of the format mean it will always be a less preferred one for me, because I found myself wanting more words, more depth to the writing itself. But the story is deeply compelling, detailing her father’s brutal childhood, her mother’s much softer one, how they came together, and how the Vietnam War disrupted the future they thought they might have. It’s not as straightforward as “Americans bad”, and Bui is not afraid of the moral ambiguity of that time and place, where the best interests of the majority of the Vietnamese people was an open question for larger forces that seemed to have little room for consideration of what might have actually made regular lives easier to lead. And apart from the larger geopolitical machinations around them, the family had their own share of tragedy, including the death of their first child and a later stillbirth. But three living children and another on the way was enough for her parents to make frantic arrangements to leave, finally succeeding and eventually making their way to the United States. But of course, that was not the end of their story, just the beginning of a new chapter. Bui’s childhood as she depicts it makes it clear that it wasn’t the stuff dreams are made of, but what shines through is her tremendous empathy for her parents and how they became the people she experienced them as. Overarching the narrative is a meditation on parenthood, as it is the birth of her own child that inspires her to ask her parents more. They might have made major mistakes, but it is clear that they loved their children and did what they thought was best for them, making countless sacrifices to give them the best opportunities possible, even if that love was not always shown the way that they wanted and needed to feel it. Vietnamese perspectives on the war in their country were not something I was exposed to growing up (honestly the Vietnam War itself wasn’t something I remember being taught with particular rigor in high school apart from its connection to electoral politics), and I appreciated learning more about the history of the country and how the people who actually lived through the conflict thought about it. Even though this is not my preferred format, I think Bui uses it well to engage in some non-linear storytelling and to very literally illustrate what she’s trying to get it, like the way she parallels the way her relatively rural parents must have felt seeing Saigon for the first time with the way she felt when she first moved to New York, a sense of awe and possibility. It’s a powerful, moving work and I would recommend picking it up!
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Reviewed in the United States on February 3, 2026
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Riyen
Pawtucket, US
★★★★★ 5
Truly, the best we could do
Format: Kindle
An excerpt from my analysis essay I submitted for my literature course: By revisiting her family’s past from before, during, and after the Vietnam War, she gained a deeper understanding of the emotional burdens her parents carried and the sacrifices they made that defined the entirety of their lives. Bui’s illustrated graphic memoir reveals that trauma does not simply disappear over time; instead, it becomes inherited, processed, and transformed. Through this process, Thi Bui is able to move toward empathy for her parents, acceptance of who they are, and a more complete sense of self.
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Reviewed in the United States on April 21, 2026
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Verified Purchase
Kathy
Waukegan, US
★★★★★ 5
Phenomenal. A must-read!
Format: Paperback
I first learned about this book only a week ago when visiting my sister for Thanksgiving in Eugene, Oregon. We went to the Jordan Schnitzer Museum of Art where I saw some work on display by the author, and there was a copy of her book available to look at, so I perused through and decided to buy it and read it. I'm so glad that I did! This is an incredible, poetic story that spans four generations, multiple wars and conflicts, and examines the fragility of the author's relationship with her parents and with her sense of place and motherhood. This book is one of the best I've read in a long time, and the art is moving and beautiful. It gave me new insight into the struggles of refugee life, and created a truly relatable narrative. I devoured this story in one Saturday. I highly recommend it.
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Reviewed in the United States on December 2, 2018

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