SKU: 36173313198

Cella Wijn & Drank Koelkast | WBV163D-BLACK | 2 Zones

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Description

Cella Wijn & Drank Koelkast | WBV163D-BLACK | 2 ZonesDe Cella WBV163D BLACK is een gecombineerde wijn en drankkoelkast, speciaal ontwikkeld voor optimale opslag en bescherming van uw wijn en drankcollectie. Met een capaciteit van 154 Bordeaux Bourgogne flessen en 487 blikjes biedt dit model veel ruimte en flexibiliteit. Geschikt voor zowel vrijstaande als onderbouw installatie dankzij frontventilatie. Design en Ontwerp De koelkast beschikt over 7 telescopische beukenhouten planken voor wijn en 7 vaste

De Cella WBV163D-BLACK is een gecombineerde wijn- en drankkoelkast, speciaal ontwikkeld voor optimale opslag en bescherming van uw wijn- en drankcollectie. Met een capaciteit van 154 Bordeaux/Bourgogne flessen en 487 blikjes biedt dit model veel ruimte en flexibiliteit. Geschikt voor zowel vrijstaande als onderbouw installatie dankzij frontventilatie.

Design en Ontwerp

De koelkast beschikt over 7 telescopische beukenhouten planken voor wijn en 7 vaste glazen planken voor dranken, wat zorgt voor overzicht en gemakkelijke toegang tot uw collectie. De warmwitte LED-verlichting (3000K) verlicht de inhoud sfeervol en gelijkmatig. Op aanvraag zijn maatwerk displayplanken beschikbaar voor een elegante presentatie.

Capaciteit en Functionaliteit

Dankzij krachtige borstelloze ventilatoren wordt de temperatuur gelijkmatig verdeeld. De wijnkoelkast heeft een temperatuurbereik van 5–20 °C, terwijl de drankkoelkast werkt tussen 1–10 °C. De luchtvochtigheid wordt automatisch geregeld tussen 55–85 %, ideaal voor wijnopslag. De omkeerbare deur en de standaard middenopening bieden flexibele plaatsingsmogelijkheden.

Veiligheid en Extra’s

Voor optimale bescherming is de WBV163D-BLACK uitgerust met ingebouwde temperatuur- en deuropeningsalarmen, en een slot voor extra beveiliging. De compressor is trillingsvrij gemonteerd op rubberen dempers om delicate wijnen te beschermen. De UV-behandelde glazen deur met dubbele beschermfolie blokkeert schadelijke straling, waardoor de kwaliteit van uw collectie behouden blijft.

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SKU: 36173313198

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T
The Art and Making of
Alexandria, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Lexington, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Houston, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Port Orchard, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Dallas, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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