SKU: 67151444758

ASRock Challenger Intel Arc A380 ITX OC | 6GB GDDR6 Videokaart

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ASRock Challenger Intel Arc A380 ITX OC | 6GB GDDR6 VideokaartEn ventilator die sterke koelprestaties levert en ervoor zorgt dat jouw gaming rig koel blijft. Het is geoptimaliseerd voor het leveren van een uitstekende game ervaring met een stijlvol en gestroomlijnd ontwerp. Ontworpen voor verbeterde luchtstroom. ASRock's aangepaste Striped Axial Fan levert een verbeterde luchtstroom om de koeling te optimaliseren, niet alleen door de streepstructuur op elk ventilatorblad, maar ook door het polijstoppervlak aan

Eén ventilator die sterke koelprestaties levert en ervoor zorgt dat jouw gaming rig koel blijft. Het is geoptimaliseerd voor het leveren van een uitstekende game-ervaring met een stijlvol en gestroomlijnd ontwerp.

Ontworpen voor verbeterde luchtstroom. ASRock's aangepaste Striped Axial Fan levert een verbeterde luchtstroom om de koeling te optimaliseren, niet alleen door de streepstructuur op elk ventilatorblad, maar ook door het polijstoppervlak aan de onderkant.

De ventilator draait wanneer de temperatuur hoog wordt voor optimale koeling, en stopt wanneer de temperatuur laag wordt voor volledige stilte.

Nano thermische pasta elimineert de gaten in het contactgebied om de warmteoverdracht en thermische efficiëntie te maximaliseren.

ASRock gebruikt een nauwkeurig schroefkoppel bij het assembleren van zijn grafische kaarten om de montagedruk van de koeler te optimaliseren om de thermische efficiëntie te verbeteren en tegelijkertijd schade aan de GPU-matrijs te voorkomen.

Dr.MOS is de geïntegreerde power stage oplossing die geoptimaliseerd is voor synchrone buck-set down voltage toepassingen! Het levert op intelligente wijze een hogere stroom en drijft tot 50A continue stroom voor elke fase, waardoor een beter thermisch resultaat en superieure prestaties worden verkregen.

Vergeleken met traditionele smoorspoelen, maken ASRock's premium 100A power smoorspoelen de verzadigingsstroom effectief tot drie keer beter, waardoor de grafische kaart een verbeterde en verbeterde Vcore spanning krijgt.

Een nieuw mysterieus matzwart en koper kleurenschema om de prestigieuze componenten op ASRock's high-end grafische kaart te evenaren.

High Density Glass Fabric PCB ontwerp dat de gaten tussen de PCB lagen vermindert om de grafische kaart te beschermen tegen elektrische kortsluiting veroorzaakt door vochtigheid.

Kan niet alleen overweg met 4K graphics, maar ondersteunt ook de volgende generatie 8K video-uitvoer voor de ultieme visuele ervaring.

Deze grafische kaart beschikt over PCI® Express 4.0 ondersteuning, met een doorvoer van 16 GT/s en maakt twee keer de bandbreedte mogelijk in vergelijking met PCI® Express 3.0. Maak je klaar voor de volgende generatie pc-games.

Verbeter jouw creatie en gaming met de eerste AV1-hardwarecodering en AI-verbeterde XeSS-upscaling.

Versnel jouw productiviteit met de meest uitgebreide mediamogelijkheden binnen handbereik met de eerste AV1-hardwarecodering en AI-versnelde contentcreatie.

Til je game-ervaring naar een hoger niveau met Xe Super Sampling (XeSS), Intels AI-verbeterde upscaling-technologie, voor meer prestaties en vloeiend gamen op populaire titels.

Ondersteuning voor DirectX12 Ultimate tilt je gaming naar een nieuw niveau van realisme met de nieuwste grafische technologieën zoals ray tracing, variabele rate shading, mesh shading en sampler feedback - de basis voor next-gen gaming.

Verfijn je game-ervaring met Intel® Arc™ Control in een intuïtieve en moderne lay-out. Ontvang naadloze driver updates en optimaliseer veel van je favoriete games.

Verbeter je creatie, gaming en streaming ervaringen met Intel® Deep Link Technology functies door Intel® Core™ processoren te combineren met Intel® Arc™ graphics.

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SKU: 67151444758

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4.5 ★★★★★
Based on 27 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Louisville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Fort Morgan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Chelsea, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Omaha, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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