SKU: 7252631931

Salonstoel met Wielen Verstelbaar A-5299 Wit

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Description

Salonstoel met Wielen Verstelbaar A-5299 WitDe salonstoel A 5299 in de kleur wit is de perfecte combinatie van modern design en functioneel comfort voor de hedendaagse beautysalon. Deze werkkruk valt direct op door de stijlvolle stiksels in de zitting, wat een luxe uitstraling geeft aan je werkplek. Het ergonomische ontwerp is gericht op het ondersteunen van de rug tijdens intensieve werkdagen, terwijl de zachte vulling zorgt voor een aangename zitervaring. Met een zithoogte die verstelbaar is

De salonstoel A-5299 in de kleur wit is de perfecte combinatie van modern design en functioneel comfort voor de hedendaagse beautysalon. Deze werkkruk valt direct op door de stijlvolle stiksels in de zitting, wat een luxe uitstraling geeft aan je werkplek. Het ergonomische ontwerp is gericht op het ondersteunen van de rug tijdens intensieve werkdagen, terwijl de zachte vulling zorgt voor een aangename zitervaring. Met een zithoogte die verstelbaar is tussen 47 en 61 centimeter, is deze stoel geschikt voor uiteenlopende behandelingen, van gezichtsverzorging tot nagelstyling. Het witte eco-leder is niet alleen esthetisch aantrekkelijk, maar ook zeer praktisch in gebruik door de eenvoudige reiniging.

  • Verstelbare zithoogte van minimaal 47 cm tot maximaal 61 cm
  • Ruime zitting met afmetingen van 37 x 45 cm
  • Rugleuning van 30 cm hoog voor optimale steun
  • Hoogwaardige witte bekleding van duurzaam eco-leder
  • Soepel rollende rubberen wielen voor harde vloeren
  • Stabiel chromen onderstel met draaifunctie

Een goede draaistoel moet niet alleen lekker zitten, maar ook mobiliteit bieden. De A-5299 is uitgerust met rubberen wielen die speciaal zijn geselecteerd om de vloer te beschermen en geluid te minimaliseren tijdens het verplaatsen. De zitting is ruim genoeg voor verschillende lichaamstypes en de rugleuning biedt de nodige steun om een actieve werkhouding aan te nemen. Dankzij de hydraulische lift kun je de hoogte tijdens het werk aanpassen zonder op te hoeven staan. Het robuuste frame heeft een belastbaarheid tot 120 kg, wat de duurzaamheid van dit meubelstuk onderstreept in een drukke salonomgeving waar de stoel dagelijks intensief wordt gebruikt.

De montage van deze stoel is eenvoudig en valt onder zelfmontage, waardoor je snel aan de slag kunt na ontvangst. Het pakket is zorgvuldig samengesteld en weegt 9 kg, wat de stabiliteit van de stoel na montage garandeert. Je profiteert bovendien van 1 jaar garantie op de technische onderdelen. Of je deze kruk nu gebruikt als kruk wit in een lichte behandelkamer of als flexibele werkstoel bij een balie, de A-5299 levert altijd de prestaties die je van professionele saloninrichting verwacht. Investeer in je eigen comfort en de uitstraling van je salon met deze moderne witte klassieker.

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SKU: 7252631931

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4.0 ★★★★★
Based on 9 reviews
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Product Reviews
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Verified Purchase
Drewsci27
Massapequa, US
★★★★★ 3
not as funny as others
the other simpsons libary of wisdom books are better. but still a fun read and good for the price. Moe
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2013
E
Verified Purchase
Elvin Ortiz
Louisville, US
★★★★★ 5
Batman for the Sake of Art: A Great Collection
Format: Paperback
I enjoyed this very much. I also found it an adventure to read and view these Batman tales because they were different from what I've read so far. Mark Chairello wanted to create a Batman volume with different artists collaborating on it and he accomplished that. But what was most impressing to me and what I found so different from what I've ever read on the Batman is the impressionistic style of the artwork and perhaps, the absence of plots. The narratives that we find here are most likely to be vignettes, shorter than short stories. This narrative style accompanied by the impressionistic artwork where we see each artist's interpretation of the Batman defines the tone, mood, and characterization of this collection of stories. Although each artist showed his own version of the Batman, the artwork of each had one thing in common: it stressed the Dark Knight persona of the Batman. The stories were less controlled by a sense of plot than a sense of atmosphere and characterization. These were darker than what I'm accustomed to read. Death permeates its pages. Batman fights crime but he can't prevent the bloodbath while he's doing so. The very first story, Perpetual Mourning, shows the detective seeking a clue for a murderer on a corpse in a morgue. While doing so, an interior monologue reveals the Batman's thoughts and his feelings toward the victim. Readers see their hero internalize the loss of this victim. McKeever intensifies this feeling by presenting a couple dancing: is this the woman while alive dancing with Batman? Was this someone Batman knew as Bruce Wayne? Other stories that I immediately classified as favorite are Joe Kubert's The Hunt; Good Evening, Midnight by Klaus Janson; a psychological drama, In Dreams, by Andrew Helfer and art by Liberatore; Heist, written and illustrated by a minimalist artist, Matt Wagner; Brian Bolland's An Innocent Guy is quite interesting because it summarizes Batman's life from the point of view of a person who plans on killing him; and Archie Goodwin's Heroes illustrated by Gary Gianni. This latter story is a WWII story where Batman deals with Nazis. Bruce Timm's Two of a Kind, is really a Two-Face story more than a Batman story. It has the traits of noirish films of the 40s where the attempts of criminal to reform are thwarted by fate. Two Face finally gets a human face, falls in love with the doctor who made it possible, but fate eventually gets in the way. There are some R-rated panels in this story. Walter Simonson gives us a futuristic story about the Batman, while veteran Dennis O'Neil shares a narrative that goes deep into Batman's psyche and a Christmas story that reminds us of some of his early works in the seventies. Batman pursues a strange serial killer in Howard Chaykin's Petty Crimes and Goodwin tells a haunting tale of a demonic trumpet, illustrated by Jose Munoz. Monster Maker by Jan Strnad was also quite haunting for it shoes the influence of gang violence on children. Illustrated by Richard Corbin, it is perhaps the most graphically violent of this collection. I notice that the title of this collection is accompanied by the name of Frank Miller, but he only makes one cover artwork contribution in this book. Thus, do not expect plotted narratives in this tome. Just enjoy the artwork and short vignettes about who the Batman is and the world in which he lives. I was not disappointed by this purchase and enjoyed the reading very much.
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Reviewed in the United States on July 21, 2017
T
Verified Purchase
Tom Reagan
Bozeman, US
★★★★★ 5
Must-Own for True Batman Fans
Format: Paperback
I own and have read all 3 volumes of these Batman: Black and White books. They're all good, and in order of volume, so Volume #1 is the best, by far. What makes them great (and I'm mostly referring to volume one, although these can apply to all volumes): - Large collection of unique stories, and the stories are short - about 8 pages, I think. So I made a habit of reading just one or a few stories at the end of each night, for example. There's 20 different stories! So if you're a big Bat-Fan like me, you're bound to like most. - A different writer and artist for each story. So, some of the stories you'll love, and some you might hate. But for the most part, I liked a large percentage of them. And when they're good, they're REALLY GOOD! And sometimes, if the story isn't that great, the artwork might make up for it (or vice versa). - The artwork! Again, a large percentage of the stories really do have fantastic art. It's a real treat turn the page and read an entirely different story with a completely different (artistic) take on Batman. Plain and simple, every huge Batman fan should own all of these books. Start with this volume.
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Reviewed in the United States on May 11, 2010
D
Verified Purchase
D. Bartz
Whiting, US
★★★★★ 4
Short Story Collection
Format: Paperback
This wasn't quite what I expected. It's a random selection of writers and illustrators all doing short stories that are just a few pages long. It gives you a deep appreciation for some of the talent many of these guys have and gives you many different perspectives on batman. Having said that, I have to be honest. Some of the illustrations were sub-par and some of the stories mediocre. A couple of the stories left me wondering if some of these guys had written batman anything before and others whether they were able to earn a living with their drawings. Despite that, there were many really good stories in here that are worth reading.
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Reviewed in the United States on April 10, 2015
R
Verified Purchase
Robert Jordan
Battle Creek, US
★★★★★ 5
Like chocolate truffles
Format: Paperback
First off, this is a review of volume 1. I got several Batman graphic novels recently and get one out when I have a block of uninterrupted time for it. I thought that given the short-story format, that I'd leave this in the car and read one or two stories when I had a few minutes to kill. Sure - that's what I say when I get a box of candy too - just one or two at a time - make the box last for a month. LOL - I got going and finished the whole book in one sitting. The short stories are not all great, but even the weakest is worth at least three stars. Some of the others are wonderful. The most unexpected were the best: "A Black and White World" a Neil Gaiman story which features Batman and Joker in a way you've never seen them before, and "A Slaying Song Tonight" a Batman Christmas story.... who'd ever think of that? The art is varied - which is the point isn't it. Some I liked a great deal and others didn't move me, but each reader will have different tastes. I learned about some artists with which I wasn't familiar. I'm new to comics and graphic novels, so this was a great way to gain some exposure to some legends. A previous reviewer seemed to feel the black and white art limited the artists. I thought the short story format and the black and white art boiled the work down to it's most powerful essence. The stories didn't waste a word. The art didn't hide behind color. It was like each story was stripped down to the bare essentials. And no comic character is more natural for a black and white treatment than the Bat. It was like a film noir movie marathon! Volume One at the very least is a must-own part of any Batman collection. Highest recommendation!
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Reviewed in the United States on January 20, 2009

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