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Description
falsterbo t motion bridle brown gold fThe TRUST Falsterbo was developed with the idea of creating a suitable bridle for every horse. This versatile bridle can be used with or without a bit. When used bitless, it offers the option to choose between sidepull and crosspull. The noseband is anatomically cut and square shaped, meaning it is slightly raised to ensure it lies gently on the horses nose. The headpiece is anatomically shaped and cut back to allow greater freedom around the ears.
The TRUST Falsterbo was developed with the idea of creating a suitable bridle for every horse. This versatile bridle can be used with or without a bit. When used bitless, it offers the option to choose between sidepull and crosspull. The noseband is anatomically cut and square-shaped, meaning it is slightly raised to ensure it lies gently on the horse’s nose. The headpiece is anatomically shaped and cut back to allow greater freedom around the ears. The padding on the headpiece is soft but not overly thick, ensuring direct contact with the horse.The TRUST Falsterbo is made from premium European full-grain leather. The leather is supple and becomes even more beautiful with use. Thanks to its high quality, the bridle is designed for long-lasting durability. The anatomy of the horses was taken into account during development, allowing the TRUST Falsterbo to fit discreetly and comfortably on the horse’s head.
The TRUST Falsterbo features a subtle TRUST logo on the headpiece and browband. All buckles are made from nickel-plated brass and are rust-resistant.
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4.8 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
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