SKU: 2341894107

K&S Custom The Starry: Stabilized and Dyed Burl WA Handle, Slim Profile, K&S Custom

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Description

K&S Custom The Starry: Stabilized and Dyed Burl WA Handle, Slim Profile, K&S CustomA new offering from Knives and Stones, the Starry: a slim profile WA handle made of single piece of stabilized and dyed birch burl. It is been years since we inquired to our supplier about the possibility of getting the slim profile WA handles that are mostly used in the premium handles by Masamoto and Aritsugu. However it was deemed too difficult to manufacture and would cost way too much. Fast forward to mid 2023, we finally received the handles

A new offering from Knives and Stones, the Starry: a slim profile WA handle made of single piece of stabilized and dyed birch burl. 

It is been years since we inquired to our supplier about the possibility of getting the slim profile WA handles that are mostly used in the premium handles by Masamoto and Aritsugu. However it was deemed too difficult to manufacture and would cost way too much. Fast forward to mid 2023, we finally received the handles that we have been waited for so long, luckily they greatly exceeded our expections.

The profile is very  comfortable to hold; the stabilized burl is dyed in a vivid dark blue, the swirling grain mixed with the undyed part of the grain perfectly resembles Vincent Van Gogh's The Starry Night. As a result, I call this handle the Starry.

Measurements

NOTE: the figures provided are for reference only, handmade products do vary individually. 

Knives and Stones may not (and probably can't) stock all the options listed below, particular for more expensive models. 

Measurement Weight (g) Length (mm) Front size (mm) Rear size (mm)

Small Petty (12cm/15cm)

28 115  15 x 21

 

 16 x 22

48  130  17 x 24  19 x 27
44  137  16 x 23  18 x 26
48  143  16 x 23  18 x 26
Gyuto (21cm) 48  134
 17 x 24  19 x 27
Gyuto (24cm)  55  138  17 x 24  20 x 28
Gyuto (27cm)  61  145  17 x 24  20 x 28

 

The story behind K&S Handles

Prologue

This dates back to when I was still a crazy knife nut wanting to buy all the exotic knives and would probably do it if I hit the jackpot. I saved for quite a long time to finally pull the trigger on a very high end Yanagiba (by Keijiro Doi, initally set to 100 units then ballooned to whatever, you get what it is). It was a very nice blade, the fit and finish was exceptional even I pull it out today, after coming a vendor, it is still amongest the best quality knives available. Problem was, the quality of octagonal ebony handle is subpar: the handle was not symmetrical when viewing from the back of the handle, one pair of short sides were much longer than the other pair when in theory they should be (close to) identical. (Disclaimer: I am in no way suggesting that all Sakai handles are like so, just sharing my story).

Well I was just an average consumer and I really love the knife, so I kept it. However this type of mediocrity should not occur on a knife that is over US$1000. I looked into the option of changing the handle for a custom one, yet apart from the long waiting queues and a rather costly handle, the shipping is something not to be ignored as well. Adding the risk of knife being damaged during transportation, I just gave up. I might have given up at that time, it planted a seed for the fruiting of K&S custom handles. 

 

The brith of K&S custom handles

After I started K&S, I naturally wanted to offer more handle options to my customers because of the above mentioned case, and more because I have drooled long enough on those super exotic custom handles that members on KKF (kitchenknifeforums.com) showed off: handles by Stefan Kellar, Mike Henry; using burls, desert ironwood and shiny spacers. Again, the cost of these custom handles and the prohibitively long lead time prevented me from using them in a larger scale. Therefore the only option left for me was to take things in my own hands. Lucky for me, there are plenty exotic timbers and experienced woodworkers (getting a degree in Engineering certainly helps) here in Australia. I was able to come up with a way that produces these octagonal WA-handles in a relatively cost effective and consistant manner. After a few months of trial and error, I was finally satisfied with the quality of my handles, and decided to commit to the idea of manufacturing the K&S custom handles in-house:)

 

What defines a good WA-handle? What K&S handles have achieved.

I have being in the WA-handle manufacturing field for about a year and a half now. Bought a ton of handles from the market, and also installed a ton of handles onto knives that I sell, so I do have a fair bit of an idea about some of the criteria that define a well made WA-handle. 

Simple yet elegant designthe handle has to please your eye. It sounds simple but not really. It is really necessary to properly define the profile, crosss-section geometry, lenghth for different blade type and length.Most importantly, I like WA-handles to have a nice and subtle taper toward the ferrule, it really makes the handle look more nimble.  A lot of handles may look great from the screen but when you have a close look in real life, you will notice the handle may actually have a bad geometry or profile, some times too bulky, some times too small.

Simple also means each element on the handle is "just right". I my view, simple and elegant means my handles should be based on proven designs, with a little twist of elegance, such as the incorporation of metal spacers, but definitely not "over spacer" (I have seen really bad "custom" examples).

 Large selection of material: K&S is able to source large quantity of exotic materials: African ebony, Australian ringed Gidgee, Bubinga, varies of Australian hardwood burls; black, marble and blonde buffalo horn, nicekel silver, brass and corian for ferrule. These beautiful, super dense timber along with the beauty of natural buffalo horn guarantees the best possible design combinations and builds the base of the quality K&S custom handle.

 Fig 3. The following picture shows some of the K&S custome handles, with varies designs and materials.

 

Improved internal design: The traditional way of jointing the main handle and ferrule is firstly machining an oval dowel on the timber then wrap (punch) the horn ferrule onto the timber, creating a through mortise-tenon joint. This creates a few problems and the most obvious one being that it does not look good if the timber and ferrule material have constrasting colour.

Another issue is the tang slot. The traditional way involves the marker first heating a tang sized tool to red-hot in charcoal, before pushing it into the soft ho-wood, creating the tang slot along the process. The process is done entirely free hand, which often leaves the tang slot off-center. The process gets whole lot harder when dealing with hardwood like ebony, hence the failure rate increases (along with cost). I have seen many knives that are way off center. 

K&S fixed the above mentioned issues, first by creating a blind mortise-tenon joint so the timber is not exposed at where knife enters the handle yet ensuring that the handle is structurally strong. Also, by machining (rather than free hand) the tang slot internally, we are able to smoothly guilde the knife into the handle, always centered. 

Fig 4. The hidden mortise and tenon design of K&S custom handles does not expose the timber, improving the overall fit and finish of the handle


Perfect manufacturing quality: Inconsistent is thw word that I use to describe a lot of existing Japanese handles (or even custom made ones), because of they way they make the octagonal shape and taper (if you are lucky). Due to my engineering background, I designed my own way of manufacturing process, and the result is a much better build consistency across the board. Being a long-time woodworker, I am also very picky about the quality of the final finshing. During the sanding phase, we spend a great deal of time on each handle in order to achieve a even, perfect mirror finish. Costly (to me), but worth it IMO.

Fig 5. The photo below shows three K&S WA-handles stacked on the diagonal sides, demonstrating its unmatched manufacturing consistency.

Affordable: No matter how perfect a product is, it is irrelevant if it is too expensive. I want to let my customers enjoy these beautiful handles while not breaking the wallet. More importantly, by installing them here in Sydney, you will save the hassel of shipping your new knife to the handle maker, wait for him to install it and ship it back to you. This minimizes the chance of the knife breaking during shipping, save (sometimes expensive postage) money and time. 

INSTALLATION PROCEDURE

 

 

 

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Thomas A. Holmes
Fort Morgan, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011
J
jwriter
Massapequa, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
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Reviewed in the United States on February 10, 2013
A
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Austin Duck
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★★★★★ 1
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This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
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Reviewed in the United States on November 5, 2013
A
Angels Among Us
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Dr. G.
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Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
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Reviewed in the United States on August 25, 2014
B
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Brooks Dyroff
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★★★★★ 5
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I was blown away by the fact that the author started writing this book a couple of years ago, before artificial intelligence was in the news, and before the topic and trend of loneliness became so prevalent. The clairvoyance is uncanny and the storyline, while fictional, is totally believable given what's going on in our world today. This is why the novel almost reads like nonfiction, but the plotline carries you forward like a fictional thriller. I audibly gasped, "Holy crap" during the plot twist at the end of the book. Truly a work of art, there is no doubt that this will be adapted for either a movie or a series.
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